1. From the Editor
  2. p. vi
  3. DOI: 10.1353/hjr.2010.0187
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  1. "There's Surely a Story In It": James's Notebooks and the Working Artist
  2. Martha Banta
  3. pp. 153-164
  4. DOI: 10.1353/hjr.2010.0208
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  1. Physical Mobility as Social Power in The Princess Casamassima
  2. Mark Chapman
  3. pp. 165-175
  4. DOI: 10.1353/hjr.2010.0229
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  1. Maggie's Meditation
  2. John Beall
  3. p. 176
  4. DOI: 10.1353/hjr.2010.0250
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  1. Unsquaring the Squared Route of What Maisie Knew
  2. Barbara Eckstein
  3. pp. 177-187
  4. DOI: 10.1353/hjr.2010.0272
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  1. Color in What Maisie Knew: An Expression of Authorial Presence
  2. James Lowe
  3. pp. 188-198
  4. DOI: 10.1353/hjr.2010.0293
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  1. A Wilde Subtext for The Awkward Age
  2. Paula V. Smith
  3. pp. 199-208
  4. DOI: 10.1353/hjr.2010.0179
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  1. Elizabeth Peabody Revisited
  2. Mary Frew Moldstad
  3. pp. 209-211
  4. DOI: 10.1353/hjr.2010.0200
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  1. A Note on "Goodwood's Lie" in The Portrait of a Lady
  2. George McFadden
  3. pp. 212-214
  4. DOI: 10.1353/hjr.2010.0221
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  1. The Theoretical Dimensions of Henry James (review)
  2. Peggy McCormack
  3. pp. 215-217
  4. DOI: 10.1353/hjr.2010.0242
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  1. Henry James: The Writer and His Work (review)
  2. J. A. Ward
  3. pp. 218-220
  4. DOI: 10.1353/hjr.2010.0263
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  1. Balzac, James, and the Realistic Novel (review)
  2. Peter A. Walker
  3. pp. 221-223
  4. DOI: 10.1353/hjr.2010.0285
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  1. Correspondence
  2. Leon Edel, Elizabeth Steele
  3. pp. 224-226
  4. DOI: 10.1353/hjr.2010.0171
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  1. Index to Volume 9
  2. pp. 227-228
  3. DOI: 10.1353/hjr.2010.0192
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