1. Serge Doubrovsky: Life, Writing, Legacy
  2. Elizabeth H. Jones
  3. pp. 1-7
  4. DOI: 10.1353/esp.0.0182
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  1. Serge Doubrovsky : le paradoxe d’un homme exporté et d’une œuvre inexportable
  2. Serge Doubrovsky, Elizabeth H. Jones
  3. pp. 8-21
  4. DOI: 10.1353/esp.0.0185
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  1. Autofiction as Allofiction: Doubrovsky’s L’Après-vivre
  2. Armine Kotin Mortimer
  3. pp. 22-35
  4. DOI: 10.1353/esp.0.0187
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  1. Ce qui séduit chez Doubrovsky
  2. Annie Jouan-Westlund
  3. pp. 36-51
  4. DOI: 10.1353/esp.0.0189
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  1. Serge Doubrovsky ou « qu’est-ce qu’une écriture originale » ou encore « comment inventer un langage de perroquet » (f° 1305)
  2. Isabelle Grell
  3. pp. 52-63
  4. DOI: 10.1353/esp.0.0177
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  1. Gender Melancholy in Doubrovsky’s autofictions
  2. Jean-Pierre Boulé
  3. pp. 64-78
  4. DOI: 10.1353/esp.0.0179
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  1. « Le Moi, la fiction et l’Histoire »: la petite et la grande Histoire
  2. Catherine Ponchon
  3. pp. 79-89
  4. DOI: 10.1353/esp.0.0181
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  1. Mémoire, traumatisme, ressassement dans La Dispersion
  2. Patrick Saveau
  3. pp. 90-102
  4. DOI: 10.1353/esp.0.0184
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  1. Le Carnavalesque dans l’écriture critique de Serge Doubrovsky
  2. Florian Pennanech
  3. pp. 103-114
  4. DOI: 10.1353/esp.0.0186
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  1. L’Autofiction, une vocation suspendue dans l’art contemporain ? : les « moi en toc » et les « trous d’être » de Serge Doubrovsky
  2. Diane Watteau
  3. pp. 115-132
  4. DOI: 10.1353/esp.0.0188
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  1. Writing from the Hearth: Public, Domestic, and Imaginative Space in Francophone Women’s Fiction of Africa and the Caribbean (review)
  2. Marina Calas
  3. p. 133
  4. DOI: 10.1353/esp.0.0190
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  1. La Géocritique: réel, fiction, espace (review)
  2. Robert T. Tally Jr.
  3. p. 134
  4. DOI: 10.1353/esp.0.0178
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  1. Urban Poetics in the French Renaissance (review)
  2. Jeffrey N. Peters
  3. pp. 134-135
  4. DOI: 10.1353/esp.0.0180
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  1. French Colonial Documentary: Mythologies of Humanism (review)
  2. Rachael Langford
  3. pp. 135-136
  4. DOI: 10.1353/esp.0.0183
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