Articles

  1. Editor’s Introduction: Racial Desire(s)
  2. Martha J. Cutter
  3. pp. 5-13
  4. DOI: 10.1353/mel.0.0041
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  1. “Haim Afen Range”: The Jewish Indian and the Redface Western
  2. Peter Antelyes
  3. pp. 15-42
  4. DOI: 10.1353/mel.0.0047
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  1. “Tea and cookies. Diavolo!”: Italian American Masculinity in John Fante’s Wait Until Spring, Bandini
  2. Rocco Marinaccio
  3. pp. 43-69
  4. DOI: 10.1353/mel.0.0040
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  1. Adultery and the Immigrant Narrative
  2. Natalie J. Friedman
  3. pp. 71-91
  4. DOI: 10.1353/mel.0.0036
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  1. “The Love of Colour in Me”: Anzia Yezierska’s Bread Givers and the Space of White Racial Manufacture
  2. Tyrone R. Simpson II
  3. pp. 93-114
  4. DOI: 10.1353/mel.0.0043
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  1. Trading Cultural Baggage for Gucci Luggage: The Ambivalent Latinidad of Alisa Valdes-Rodriguez’s The Dirty Girls Social Club
  2. Erin Hurt
  3. pp. 133-153
  4. DOI: 10.1353/mel.0.0034
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  1. Metaphors We Write By: Desire’s (Dis)Orientation and the Border in Richard Rodriguez’s Hunger of Memory
  2. Yaakov Perry
  3. pp. 155-182
  4. DOI: 10.1353/mel.0.0035
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  1. Comings Out: Secrecy, Sexuality, and Murder in Michael Nava’s Rag and Bone
  2. Jeffrey S. Zamostny
  3. pp. 183-204
  4. DOI: 10.1353/mel.0.0046
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  1. Translating Queer Caribbean Localities in Sirena Selena vestida de pena
  2. Juana María Rodríguez
  3. pp. 205-223
  4. DOI: 10.1353/mel.0.0038
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Reviews

  1. Ethnic Modernism (review)
  2. Martha J. Cutter
  3. pp. 224-227
  4. DOI: 10.1353/mel.0.0042
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  1. Reading American Novels and Multicultural Aesthetics: Romancing the Postmodern Novel (review)
  2. Elizabeth McNeil
  3. pp. 228-230
  4. DOI: 10.1353/mel.0.0033
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  1. Inventing the New Negro: Narrative, Culture, and Ethnography (review)
  2. Rebecca S. Nisetich
  3. pp. 231-233
  4. DOI: 10.1353/mel.0.0044
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Contributors

  1. Contributors
  2. pp. 239-241
  3. DOI: 10.1353/mel.0.0045
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