1. Notes on Contributors
  2. pp. 711-712
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Articles

  1. A Concert of Paintings: "Musical Ekphrasis" in the Twentieth Century
  2. Siglind Bruhn
  3. pp. 551-605
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  1. The Music of Sympathy in the Arts of the Baroque; or, the Use of Difference to Overcome Indifference
  2. Ruth HaCohen
  3. pp. 607-650
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  1. The Lyric, History, and the Avant-Garde: Theorizing Paul Celan
  2. Shira Wolosky
  3. pp. 651-668
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Corrective Note

  1. The Use and Abuse of Speech-Act Theory in Criticism: A Corrective Note
  2. David Gorman
  3. pp. 669-670
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Review Article

  1. Enjoy(c)ing Cultures
  2. Donald Brown
  3. pp. 671-689
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Reviews

  1. Types, Tropes, and the Poetics of Conventionality
  2. Joseph Th. Leerssen
  3. pp. 691-696
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  1. Under Scrutiny: Blueprints for Self-Writing
  2. Claudine Raynaud
  3. pp. 697-701
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New Books at a Glance

  1. The Dramatic Monologue (review)
  2. Eyal Segal
  3. pp. 703-704
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  1. The Progress of Romance: Literary Historiography and the Gothic Novel (review)
  2. Eyal Segal
  3. pp. 704-705
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  1. Narralogues: Truth in Fiction (review)
  2. Brian McHale
  3. pp. 706-708
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  1. Mind Reading: Unframed Direct Interior Monologue in European Fiction (review)
  2. Eyal Segal
  3. pp. 708-709
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