In this Issue

Table of Contents

Stuplimity: Shock and Boredom in Twentieth-Century Aesthetics

Sianne Ngai
DOI: https://doi.org/10.1353/pmc.2000.0013
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Flickering Connectivities in Shelley Jackson's Patchwork Girl : The Importance of Media-Specific Analysis

N. Katherine Hayles
DOI: https://doi.org/10.1353/pmc.2000.0011
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Dada Photomontage and net.art Sitemaps

George L. Dillon
DOI: https://doi.org/10.1353/pmc.2000.0010
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Stop Making Sense: Fuck 'em and Their Law (... It's Only I and O but I Like It...)

Bernd Herzogenrath
DOI: https://doi.org/10.1353/pmc.2000.0012
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Otherness.

Tamise Van Pelt
DOI: https://doi.org/10.1353/pmc.2000.0009
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Review Essay

Grotesque Caricature: Stanley Kubrick's Eyes Wide Shut as the Allegory of Its Own Reception

Stefan Mattessich
DOI: https://doi.org/10.1353/pmc.2000.0006
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Reviews

Brecht Our (Post-) Contemporary

Steven Helmling
DOI: https://doi.org/10.1353/pmc.2000.0003
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Veiled and Revealed

Nezih Erdogan
DOI: https://doi.org/10.1353/pmc.2000.0002
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Past, Present and Future: New Historicism versus Cultural Materialism

Jürgen Pieters
DOI: https://doi.org/10.1353/pmc.2000.0007
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The Truth About Pina Bausch: Nature and Fantasy in Carnations

Lynn Houston
DOI: https://doi.org/10.1353/pmc.2000.0004
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The Critical Idiom of Postmodernity and Its Contributions to an Understanding of Complexity

Matthew Abraham
DOI: https://doi.org/10.1353/pmc.2000.0001
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Near Collisions: Rhetorical Cultural Studies or a Cultural Rhetorical Studies?

Brad Lucas
DOI: https://doi.org/10.1353/pmc.2000.0005
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Utopian Ironies

David Schuermer
DOI: https://doi.org/10.1353/pmc.2000.0008
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Notices

Notices

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Notes on Contributors

Notes on Contributors

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Otherness.

Tamise Van Pelt
DOI: https://doi.org/10.1353/pmc.2000.0014
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