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Table of Contents

  1. Disembodying The Corpus: Postcolonial Pathology in Tsitsi Dangarembga's 'Nervous Conditions'
  2. Deepika Bahri
  3. DOI: https://doi.org/10.1353/pmc.1994.0046
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  1. Three Poems: Soapy Water, Claire-in-the-Building, Mao Tse Tung Wore Khakis
  2. Charles Bernstein
  3. DOI: https://doi.org/10.1353/pmc.1994.0047
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  1. Cheered by Battleship
  2. James Boros
  3. DOI: https://doi.org/10.1353/pmc.1994.0048
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  1. Two Poems: The Behavior of Bodies, the Motion of Clocks, The Love Song of Leonardo da Vinci
  2. Michael Evans
  3. DOI: https://doi.org/10.1353/pmc.1994.0049
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  1. The Moving Image Reclaimed
  2. Robert Phillip Kolker
  3. DOI: https://doi.org/10.1353/pmc.1994.0050
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  1. Prehistory and Postmodernism
  2. Andrew Levy
  3. DOI: https://doi.org/10.1353/pmc.1994.0051
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  1. Notices (Announcements and Advertisements)
  2. DOI: https://doi.org/10.1353/pmc.1994.0052
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  1. Permanence and Change in the Global Village
  2. Thomas W. Benson
  3. DOI: https://doi.org/10.1353/pmc.1994.0053
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  1. Postmodern Jeremiads: Kruger on Popular Culture
  2. Kevin J. H. Dettmar
  3. DOI: https://doi.org/10.1353/pmc.1994.0054
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  1. Theory That Matters
  2. Jeffrey T. Nealon
  3. DOI: https://doi.org/10.1353/pmc.1994.0055
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  1. Black Modernisms/Black Postmodernisms
  2. Russell A. Potter
  3. DOI: https://doi.org/10.1353/pmc.1994.0056
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  1. The Superhero Meets the Culture Critic
  2. Christian L. Pyle
  3. DOI: https://doi.org/10.1353/pmc.1994.0057
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  1. Immersion vs. Interactivity: Virtual Reality and Literary Theory
  2. Marie-Laure Ryan
  3. DOI: https://doi.org/10.1353/pmc.1994.0058
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  1. 'Round Dusk: Kojève at "The End"
  2. Allan Stoekl
  3. DOI: https://doi.org/10.1353/pmc.1994.0059
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  1. Seizing Power: Decadence and Transgression in Foucault and Paglia
  2. John V. Walker
  3. DOI: https://doi.org/10.1353/pmc.1994.0060
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  1. Differentia
  2. Lidia Yuknavitch
  3. DOI: https://doi.org/10.1353/pmc.1994.0061
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  1. Selected Letters from Readers
  2. Jeff Bell
  3. DOI: https://doi.org/10.1353/pmc.1994.0062
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  1. Blurring the Lines: Art on The Border
  2. Jonathan Markovitz
  3. DOI: https://doi.org/10.1353/pmc.1994.0063
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