In this Issue
Formerly Performing Arts Journal, through volume 19, no. 3, September 1997 (E-ISSN: 1086-3281, Print ISSN: 0735-8393).
Under continuous editorship since its founding in 1976, PAJ has been an influential voice in the arts for twenty-six years. Now in an updated format and design, PAJ offers extended coverage of the visual arts (such as video, installations, photography, and multimedia performance), in addition to reviews of new works in theatre, dance, film, and opera. Issues include artists' writings, essays, interviews and dialogues, historical documentation, performance texts and plays, reports on performance abroad, and book reviews.
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PAJ 61 (Volume 21, Number 1), January 1999Table of Contents
- A noisy silence
- pp. 1-10
- Interactivity and vulnerability
- pp. 46-52
- The Romance of technology
- pp. 53-57
- The Big storehouse.
- pp. 58-62
- Body as Place: Vito Acconci's Gaze
- pp. 63-74
- Performance Writing
- pp. 76-80
- Wade in Words
- pp. 81-85
- The Unspeakable Rooms: A Performance
- pp. 88-92
- Language Image Sound Object
- pp. 93-98
- Intimations and Intimidations of Aphrodite
- pp. 99-101
- Compassion
- pp. 102-106
- Sunken Garden Stone Head M
- pp. 107-111
- The Hungry Form (G.eek Mix)
- pp. 112-116
- The Place of the F (lute) oot in C (alt.) ure
- pp. 117-119
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Copyright © 1999 The Johns Hopkins University Press.