1. A noisy silence
  2. Michael Rush
  3. pp. 1-10
  4. restricted access View |
  1. Bodies of action, bodies of thought: performance and its critics
  2. Bonnie Marranca
  3. pp. 11-23
  4. restricted access View |
  1. Feeding the Body: The Work of Barbara Smith
  2. Jennie Klein
  3. pp. 24-35
  4. restricted access View |
  1. Michael Portnoy AKA Soy Bomb: Upstart Pissing On the Contemporary Mix
  2. Michael Portnoy, Derek Yip
  3. pp. 36-44
  4. restricted access View |
  1. Interactivity and vulnerability
  2. Samira Kawash
  3. pp. 46-52
  4. restricted access View |
  1. The Romance of technology
  2. Mark Zimmerman
  3. pp. 53-57
  4. restricted access View |
  1. The Big storehouse.
  2. Yvette Bíró
  3. pp. 58-62
  4. restricted access View |
  1. Body as Place: Vito Acconci's Gaze
  2. Melanie Marino
  3. pp. 63-74
  4. restricted access View |
  1. Performance Writing
  2. Ric Allsopp
  3. pp. 76-80
  4. restricted access View |
  1. Wade in Words
  2. Alaric Sumner
  3. pp. 81-85
  4. restricted access View |
  1. The Unspeakable Rooms: A Prescript of Performance Possibilities
  2. Alaric Sumner
  3. pp. 86-87
  4. restricted access View |
  1. The Unspeakable Rooms: A Performance
  2. Alaric Sumner
  3. pp. 88-92
  4. restricted access View |
  1. Language Image Sound Object
  2. Alaric Sumner, Carlyle Reedy
  3. pp. 93-98
  4. restricted access View |
  1. Intimations and Intimidations of Aphrodite
  2. Carlyle Reedy
  3. pp. 99-101
  4. restricted access View |
  1. Compassion
  2. Carlyle Reedy
  3. pp. 102-106
  4. restricted access View |
  1. Sunken Garden Stone Head M
  2. Lawrence Upton
  3. pp. 107-111
  4. restricted access View |
  1. The Hungry Form (G.eek Mix)
  2. Caroline Bergvall
  3. pp. 112-116
  4. restricted access View |
  1. The Place of the F (lute) oot in C (alt.) ure
  2. Cris Cheek
  3. pp. 117-119
  4. restricted access View |
  1. Codifying Behavior into Language and Re-enacting It
  2. Julian Maynard Smith, Alaric Sumner
  3. pp. 120-124
  4. restricted access View |