1. Scratched-out Notes, Erased Pieces, and other Lacunae in the Chansonnier Nivelle de la Chaussée
  2. Debra Nagy
  3. pp. 7-35
  4. DOI: 10.1353/not.0.0196
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  1. Written vs. Sounding Pitch
  2. Donald Byrd
  3. pp. 36-51
  4. DOI: 10.1353/not.0.0197
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  1. Notes for Notes
  2. pp. 52-58
  3. DOI: 10.1353/not.0.0198
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  1. Music, Language, and the Brain (review)
  2. Mark Germer
  3. pp. 59-62
  4. DOI: 10.1353/not.0.0203
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  1. Music, Criticism, and the Challenge of History: Shaping Modern Musical Thought in Late-Nineteenth-Century Vienna (review)
  2. Marie Sumner Lott
  3. pp. 62-64
  4. DOI: 10.1353/not.0.0211
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  1. Music as Discourse: Semiotic Adventures in Romantic Music (review)
  2. Sara Heimbecker
  3. pp. 64-67
  4. DOI: 10.1353/not.0.0207
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  1. Thresholds: Rethinking Spirituality through Music (review)
  2. Alexander Carpenter
  3. pp. 67-69
  4. DOI: 10.1353/not.0.0199
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  1. Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy (review)
  2. Bruno Forment
  3. pp. 69-72
  4. DOI: 10.1353/not.0.0202
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  1. Mozart’s Così fan tutte: A Compositional History (review)
  2. Laurel E. Zeiss
  3. pp. 72-75
  4. DOI: 10.1353/not.0.0216
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  1. Mozart’s Operas: A Companion (review)
  2. Robert Follet
  3. pp. 75-76
  4. DOI: 10.1353/not.0.0201
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  1. Delta Blues: The Life and Times of the Mississippi Masters Who Revolutionized American Music (review)
  2. Edward Komara
  3. pp. 77-79
  4. DOI: 10.1353/not.0.0210
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  1. Come In and Hear the Truth: Jazz and Race on 52nd Street (review)
  2. Rick McRae
  3. pp. 79-82
  4. DOI: 10.1353/not.0.0214
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  1. The Music of Hugh Wood (review)
  2. Michael Hooper
  3. pp. 82-84
  4. DOI: 10.1353/not.0.0208
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  1. The Unknown Schubert (review)
  2. John M. Gingerich
  3. pp. 84-87
  4. DOI: 10.1353/not.0.0205
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  1. Letters of Ralph Vaughan Williams 1895–1958 (review)
  2. Julian Onderdonk
  3. pp. 87-89
  4. DOI: 10.1353/not.0.0215
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  1. Camille Saint-Saëns on Music and Musicians (review)
  2. David Gilbert
  3. pp. 89-91
  4. DOI: 10.1353/not.0.0204
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  1. Valved Brass: The History of an Invention (review)
  2. David M. Guion
  3. pp. 91-94
  4. DOI: 10.1353/not.0.0206
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  1. Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions (review)
  2. Martin D. Jenkins
  3. pp. 94-95
  4. DOI: 10.1353/not.0.0209
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  1. Die Laute in Europa: Geschichte und Geschichten zum Geniessen [The Lute in Europe: A History to Delight] (review)
  2. David Dolata
  3. pp. 96-98
  4. DOI: 10.1353/not.0.0200
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  1. A Cellist’s Companion: A Comprehensive Catalogue of Cello Literature (review)
  2. Stephen Mantz
  3. pp. 98-100
  4. DOI: 10.1353/not.0.0213
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  1. Orchestral “Pops” Music: A Handbook (review)
  2. Greg MacAyeal
  3. pp. 100-101
  4. DOI: 10.1353/not.0.0212
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  1. Books Recently Published
  2. Julia Graepel, Karen R. Little
  3. pp. 102-123
  4. DOI: 10.1353/not.0.0217
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  1. New Periodicals
  2. Liza Vick
  3. pp. 124-128
  4. DOI: 10.1353/not.0.0218
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  1. Oxford Music Online (review)
  2. John Wagstaff
  3. pp. 129-131
  4. DOI: 10.1353/not.0.0221
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  1. Jazz Discography Online (review)
  2. Michael Fitzgerald
  3. pp. 132-138
  4. DOI: 10.1353/not.0.0219
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  1. Pandora (review)
  2. Anne Shelley
  3. pp. 138-142
  4. DOI: 10.1353/not.0.0220
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  1. Ken Russell: Musical Mythmaker
  2. Michael Adams
  3. pp. 143-163
  4. DOI: 10.1353/not.0.0222
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  1. Pachelbel Outside the Canon
  2. Steven Zohn
  3. pp. 164-166
  4. DOI: 10.1353/not.0.0226
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  1. Victorian Overtures
  2. Nicholas Temperley
  3. pp. 166-168
  4. DOI: 10.1353/not.0.0225
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  1. A Well-Traveled Concerto
  2. Peter Horton
  3. pp. 168-170
  4. DOI: 10.1353/not.0.0224
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  1. Choleric and Crimson Clusters
  2. Philipp Blume
  3. pp. 170-171
  4. DOI: 10.1353/not.0.0223
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  1. Music Publishers’ Catalogs
  2. George R. Hill
  3. pp. 182-184
  4. DOI: 10.1353/not.0.0228
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  1. Music Received
  2. David Knapp
  3. pp. 172-181
  4. DOI: 10.1353/not.0.0227
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