In this Issue

Table of Contents

The Origins of the Music Collections in the University of Toronto Library: A Tale of Two Scores

Kathleen McMorrow
pp. 9-19
DOI: https://doi.org/10.1353/not.2002.0132
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"Un Cabinet de Musique"--The Library of an Eighteenth-Century Musician

Albert Cohen
pp. 20-37
DOI: https://doi.org/10.1353/not.2002.0114
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The New Grove Dictionary of Jazz (review)

Gordon Theil
pp. 45-48
DOI: https://doi.org/10.1353/not.2002.0137
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Musical Memorials for Musicians: A Guide to Selected Compositions (review)

George Boziwick
pp. 48-49
DOI: https://doi.org/10.1353/not.2002.0110
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Private Music Collections: Catalogs and Cognate Literature (review)

Lenore Coral
pp. 49-51
DOI: https://doi.org/10.1353/not.2002.0115
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Music Since 1900 (review)

D. J. Hoek
pp. 51-53
DOI: https://doi.org/10.1353/not.2002.0126
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Making Music Modern: New York in the 1920s (review)

Elizabeth Bergman Crist
pp. 54-55
DOI: https://doi.org/10.1353/not.2002.0117
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Faure and French Musical Aesthetics (review)

Anthony Gritten
pp. 55-57
DOI: https://doi.org/10.1353/not.2002.0124
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La vie musicale sous Vichy (review)

Michael Creasman Strasser
pp. 57-59
DOI: https://doi.org/10.1353/not.2002.0146
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The Music of Toru Takemitsu, and: Toru Takemitsu: A Bio-Bibliography (review)

Steven Nuss
pp. 59-61
DOI: https://doi.org/10.1353/not.2002.0138
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Elliott Carter ou le temps fertile (review)

Jean-Michel Boulay
pp. 61-64
DOI: https://doi.org/10.1353/not.2002.0111
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Virtual Music: Computer Synthesis of Musical Style (review)

Mark Polishook
pp. 64-65
DOI: https://doi.org/10.1353/not.2002.0141
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Songs in the Key of Z: The Curious Universe of Outsider Music (review)

Barbara White
pp. 66-67
DOI: https://doi.org/10.1353/not.2002.0148
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The Sounds of Early Cinema (review)

Daniel Goldmark
pp. 67-69
DOI: https://doi.org/10.1353/not.2002.0123
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Bernard Herrmann's Vertigo: A Film Score Handbook (review)

Robert Kosovsky
pp. 69-71
DOI: https://doi.org/10.1353/not.2002.0129
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Ballet and Opera in the Age of Giselle (review)

David A. Day
pp. 72-73
DOI: https://doi.org/10.1353/not.2002.0119
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Mozart's Piano Concertos: Dramatic Dialogue in the Age of Enlightenment (review)

Andrew Willis
pp. 73-74
DOI: https://doi.org/10.1353/not.2002.0149
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A History of Russian Music: From Kamarinskaya to Babi Yar (review)

Ellon D. Carpenter
pp. 74-77
DOI: https://doi.org/10.1353/not.2002.0113
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German Opera: From the Beginnings to Wagner (review)

James L. Zychowicz
pp. 77-79
DOI: https://doi.org/10.1353/not.2002.0147
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Music of the Raj: A Social and Economic History of Music in Late Eighteenth-Century Anglo-Indian Society (review)

Stephen Slawek
pp. 79-81
DOI: https://doi.org/10.1353/not.2002.0145
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Music and British Culture, 1785-1914: Essays in Honour of Cyril Ehrlich (review)

Charles Edward McGuire
pp. 82-83
DOI: https://doi.org/10.1353/not.2002.0131
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Covent Garden, the Untold Story: Dispatches from the English Culture War, 1945-2000 (review)

Nathaniel G. Lew
pp. 83-85
DOI: https://doi.org/10.1353/not.2002.0130
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From Psalm to Symphony: A History of Music in New England (review)

Ann L. Silverberg
pp. 85-87
DOI: https://doi.org/10.1353/not.2002.0144
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Letters of Gerald Finzi and Howard Ferguson (review)

Byron Adams
pp. 87-88
DOI: https://doi.org/10.1353/not.2002.0108
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Edvard Grieg: Letters to Colleagues and Friends, and: Edvard Grieg: Diaries, Articles, Speeches (review)

Carl John Rahkonen
pp. 88-90
DOI: https://doi.org/10.1353/not.2002.0142
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The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of Musical Genius (review)

Robin Wallace
pp. 90-93
DOI: https://doi.org/10.1353/not.2002.0136
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Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer (review)

Leah Morrison
pp. 93-94
DOI: https://doi.org/10.1353/not.2002.0133
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Early Keyboard Instruments: A Practical Guide (review)

Tom Beghin
pp. 94-97
DOI: https://doi.org/10.1353/not.2002.0109
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The Cognition of Basic Musical Structures (review)

Arnie Cox
pp. 97-99
DOI: https://doi.org/10.1353/not.2002.0116
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The Virtual Score: Representation, Retrieval, Restoration (review)

Stephen Davison
pp. 99-100
DOI: https://doi.org/10.1353/not.2002.0118
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Books Recently Published

Stephen Yusko, Karen R. Little
pp. 101-124
DOI: https://doi.org/10.1353/not.2002.0151
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New Periodicals

Margaret D. Ericson
pp. 125-127
DOI: https://doi.org/10.1353/not.2002.0120
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Film Music Web Sites

H. Stephen Wright
pp. 128-130
DOI: https://doi.org/10.1353/not.2002.0150
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Five Windows into Africa (review)

Kathleen J. Noss
pp. 131-133
DOI: https://doi.org/10.1353/not.2002.0135
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D.S.C.H. Shostakovich on DVD-ROM (review)

Royal S. Brown
pp. 133-135
DOI: https://doi.org/10.1353/not.2002.0112
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Pianists That Time Forgot

Leslie Gerber
pp. 136-145
DOI: https://doi.org/10.1353/not.2002.0122
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Briefly Noted

Rick Anderson
pp. 145-149
DOI: https://doi.org/10.1353/not.2002.0107
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Music Publishers' Catalogs

George Robert Hill
pp. 150-157
DOI: https://doi.org/10.1353/not.2002.0125
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Doppelkonzert a-Moll, opus 102 (review)

William P. Horne
pp. 158-162
DOI: https://doi.org/10.1353/not.2002.0127
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Liber sextus sacrarum cantionum (review)

Richard Freedman
pp. 162-164
DOI: https://doi.org/10.1353/not.2002.0121
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Messa, e salmi concertati, op. 4 (1639) (review)

Massimo Michele Ossi
pp. 164-165
DOI: https://doi.org/10.1353/not.2002.0140
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Meslanges autographes: Fac-simile du manuscrit Paris, Bibliotheque nationale, Res. Vm 1 259 (review)

Lois Rosow
pp. 165-169
DOI: https://doi.org/10.1353/not.2002.0143
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6 Kammersonaten fur 2 Floten und Basso continuo, and: Sonata I in D-Dur fur zwei Floten und Basso continuo, and: Sonata II in D-Dur fur zwei Floten und Basso continuo, and: Sonata III in a-Moll fur zwei Floten und Basso continuo, and: Complete Sonatas for Flute and Basso Continuo, and: Complete Sonatas for Flute and Obbligato Keyboard (review)

Mary Oleskiewicz
pp. 169-176
DOI: https://doi.org/10.1353/not.2002.0139
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Notes for NOTES

pp. 38-44
DOI: https://doi.org/10.1353/not.2002.0134
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Music Received

David Knapp
pp. 177-188
DOI: https://doi.org/10.1353/not.2002.0128
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