1. The Conversion of Polyeucte's Félix: The Problem of Religion and Theater
  2. Nina Ekstein
  3. pp. 1-17
  4. DOI: 10.1353/frf.0.0072
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  1. Blood and Rhythmic Analogies in Valéry's Charmes
  2. Benjamin Williams
  3. pp. 19-32
  4. DOI: 10.1353/frf.0.0069
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  1. A Creature Has Passed This Way: Devices of Generic Self-Situation in Colette's La Maison de Claudine
  2. Anne Freadman
  3. pp. 33-52
  4. DOI: 10.1353/frf.0.0061
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  1. Fragmented Territories: AIDS and Paris in Les Nuits Fauves of Cyril Collard
  2. Lawrence R. Schehr
  3. pp. 53-65
  4. DOI: 10.1353/frf.0.0073
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  1. Translation and the Fantastic: Nancy Huston's Instruments des ténèbres
  2. Siobhan Brownlie
  3. pp. 67-83
  4. DOI: 10.1353/frf.0.0062
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  1. "Trois livres simultanés": de Dominique Fourcade pour une exceptionnelle triangulation poétique
  2. Dominique Rincé
  3. pp. 85-96
  4. DOI: 10.1353/frf.0.0065
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  1. Reading through Photography: Roland Barthes's Last Seminar "Proust et la photographie"
  2. Kathrin Yacavone
  3. pp. 97-112
  4. DOI: 10.1353/frf.0.0064
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  1. The Art of Instruction: Essays on Pedagogy and Literature in 17th-Century France (review)
  2. Lise Leibacher-Ouvrard
  3. pp. 113-115
  4. DOI: 10.1353/frf.0.0066
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  1. Le Flâneur et les flâneuses: Les femmes et la ville à l'époque romantique (review)
  2. Rachel Mesch
  3. pp. 115-117
  4. DOI: 10.1353/frf.0.0070
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  1. Pour une poétique de l'écriture exotique (review)
  2. Elizabeth Geary Keohane
  3. pp. 118-120
  4. DOI: 10.1353/frf.0.0068
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  1. Fiction Now: The French Novel in the Twenty-First Century (review)
  2. Gerald Prince
  3. pp. 120-121
  4. DOI: 10.1353/frf.0.0067
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  1. Mémoires du quotidien: Les lieux de Perec (review)
  2. Warren Motte
  3. pp. 122-123
  4. DOI: 10.1353/frf.0.0063
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  1. Le Cinéma français depuis 2000: un renouvellement incessant (review)
  2. François Massonnat
  3. pp. 124-126
  4. DOI: 10.1353/frf.0.0060
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  1. Books Received
  3. pp. 127-128
  4. DOI: 10.1353/frf.0.0071
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