1. A Bibliographical Study of Antoine Meissonnier's Periodicals for Voice and Guitar, 1817-27
  2. Erik Stenstadvold
  3. pp. 11-33
  4. DOI: 10.1353/not.2001.0171
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  1. Electronic Journals and the Future of Scholarly Communication
  2. Kerala J. Snyder
  3. pp. 34-38
  4. DOI: 10.1353/not.2001.0170
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  1. Johann Sebastian Bach: The Learned Musician, and: Bach (review)
  2. David Schulenberg
  3. pp. 59-62
  4. DOI: 10.1353/not.2001.0169
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  1. Purcell Manuscripts: The Principal Musical Sources (review)
  2. Michael Burden
  3. pp. 63-64
  4. DOI: 10.1353/not.2001.0126
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  1. Reader's Guide to Music: History, Theory, Criticism (review)
  2. Mark A. Radice
  3. p. 66
  4. DOI: 10.1353/not.2001.0165
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  1. The Divine Office in the Latin Middle Ages: Methodology and Source Studies, Regional Developments, Hagiography (review)
  2. James M. Borders
  3. pp. 67-69
  4. DOI: 10.1353/not.2001.0125
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  1. Henry Lawes: Cavalier Songwriter (review)
  2. H. Diack Johnstone
  3. pp. 69-70
  4. DOI: 10.1353/not.2001.0150
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  1. Schutz (review)
  2. Mary E. Frandsen
  3. pp. 70-71
  4. DOI: 10.1353/not.2001.0136
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  1. Dokumente zur Telemann-Rezeption, 1767 bis 1907 (review)
  2. Steven David Zohn
  3. pp. 75-77
  4. DOI: 10.1353/not.2001.0175
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  1. High-Minded and Low-Down: Music in the Lives of Americans, 1800-1861 (review)
  2. Dale Cockrell
  3. pp. 77-79
  4. DOI: 10.1353/not.2001.0129
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  1. Beethoven and His World (review)
  2. Alice M. Hanson
  3. pp. 79-80
  4. DOI: 10.1353/not.2001.0142
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  1. A Companion to Schubert's Schwanengesang : History, Poets, Analysis, Performance (review)
  2. Kristina Muxfeldt
  3. pp. 80-82
  4. DOI: 10.1353/not.2001.0161
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  1. The Life of Schubert (review)
  2. Brian Newbould
  3. pp. 82-83
  4. DOI: 10.1353/not.2001.0162
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  1. Friedrich Kuhlau in the Mirror of His Flute Works (review)
  2. Linda Bishop Hartig
  3. pp. 83-84
  4. DOI: 10.1353/not.2001.0143
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  1. The Cambridge Companion to Berlioz (review)
  2. Ora Frishberg Saloman
  3. pp. 84-85
  4. DOI: 10.1353/not.2001.0167
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  1. Brahms Studies, Vol. 2 (review)
  2. Virginia Hancock
  3. pp. 85-87
  4. DOI: 10.1353/not.2001.0141
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  1. The Life of Verdi (review)
  2. Gregory W. Harwood
  3. pp. 87-88
  4. DOI: 10.1353/not.2001.0144
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  1. Sound Figures (review)
  2. Julian Johnson
  3. pp. 89-90
  4. DOI: 10.1353/not.2001.0148
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  1. Mahler: Das Lied von der Erde, and: Mahler's Fourth Symphony (review)
  2. Susan Melanie Filler
  3. pp. 90-94
  4. DOI: 10.1353/not.2001.0135
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  1. Satie the Bohemian: From Cabaret to Concert Hall (review)
  2. Teresa Maria Davidian
  3. pp. 94-95
  4. DOI: 10.1353/not.2001.0131
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  1. Louis Laloy (1874-1944) on Debussy, Ravel and Stravinsky (review)
  2. Charles Frederick Frantz
  3. pp. 95-97
  4. DOI: 10.1353/not.2001.0137
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  1. Frederick Delius and Peter Warlock: A Friendship Revealed (review)
  2. Jeremy Dibble
  3. pp. 97-98
  4. DOI: 10.1353/not.2001.0133
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  1. Bartok Perspectives: Man, Composer, and Ethnomusicologist (review)
  2. Britta Gilmore
  3. pp. 98-101
  4. DOI: 10.1353/not.2001.0139
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  1. Perspectives on American Music, 1900-1950 (review)
  2. Amy C. Beal
  3. pp. 101-103
  4. DOI: 10.1353/not.2001.0123
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  1. William Grant Still: A Study in Contradictions (review)
  2. Josephine Wright
  3. pp. 103-104
  4. DOI: 10.1353/not.2001.0174
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  1. Leonard Warren: American Baritone (review)
  2. Richard Le Sueur
  3. pp. 104-105
  4. DOI: 10.1353/not.2001.0154
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  1. Music and Humanism: An Essay in the Aesthetics of Music (review)
  2. Roger W. H. Savage
  3. pp. 107-109
  4. DOI: 10.1353/not.2001.0168
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  1. After the Heavenly Tune: English Poetry and the Aspiration to Song (review)
  2. Robert D. Hume
  3. pp. 109-110
  4. DOI: 10.1353/not.2001.0147
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  1. A Theory of Art (review)
  2. Imanuel Willheim
  3. pp. 110-113
  4. DOI: 10.1353/not.2001.0173
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  1. Bel Canto: A History of Vocal Pedagogy (review)
  2. Margaret Kennedy-Dygas
  3. pp. 113-114
  4. DOI: 10.1353/not.2001.0152
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  1. Heart to Heart: Expressive Singing in England, 1780-1830 (review)
  2. Deborah Kauffman
  3. pp. 114-116
  4. DOI: 10.1353/not.2001.0151
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  1. The Cambridge Companion to Singing (review)
  2. Elizabeth Blades-Zeller
  3. pp. 116-117
  4. DOI: 10.1353/not.2001.0124
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  1. Zarzuela: Spanish Operetta, American Stage (review)
  2. Walter Aaron Clark
  3. pp. 117-118
  4. DOI: 10.1353/not.2001.0128
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  1. Kiyomoto-bushi: Narrative Music of the Kabuki Theatre (review)
  2. Henry Mabley Johnson
  3. pp. 118-120
  4. DOI: 10.1353/not.2001.0149
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  1. Books Recently Published
  2. Rebecca Littman, Stephen Yusko
  3. pp. 123-152
  4. DOI: 10.1353/not.2001.0156
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  1. New Periodicals
  2. Karen Little
  3. pp. 153-154
  4. DOI: 10.1353/not.2001.0155
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  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 155-160
  4. DOI: 10.1353/not.2001.0146
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  1. Latin Motets II: (from Manuscript Sources) (review)
  2. John Milsom
  3. pp. 161-164
  4. DOI: 10.1353/not.2001.0159
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  1. Shorter Choral Works without Orchestra, and: Symphony no. 1 (review)
  2. Byron Adams
  3. pp. 164-167
  4. DOI: 10.1353/not.2001.0122
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  1. Nocturnes, and: Nocturnes: 1898-1899 (review)
  2. Mark DeVoto
  3. pp. 167-170
  4. DOI: 10.1353/not.2001.0132
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  1. Cantata in onore del Sommo Pontefice Pio Nono (review)
  2. Linda Beard Fairtile
  3. pp. 170-172
  4. DOI: 10.1353/not.2001.0134
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  1. La morte d'Orfeo: Tragicommedia pastorale (review)
  2. Margaret Murata
  3. pp. 173-175
  4. DOI: 10.1353/not.2001.0160
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  1. Thomas Morley, II, Services, and: Consort, Full, and Verse Anthems, and: Selected Anthems and Motet Recompositions (review)
  2. Lionel Pike
  3. pp. 176-179
  4. DOI: 10.1353/not.2001.0164
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  1. Harmoniae morales, and: Moralia, and: V rokopisu ohranjene skladbe = Compositions Preserved in Manuscript (review)
  2. Stephen Rose
  3. pp. 183-186
  4. DOI: 10.1353/not.2001.0166
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  1. The Robert Bloom Collection: Solo Works and Chamber Music for Oboe (review)
  2. Daniel Stolper
  3. pp. 186-191
  4. DOI: 10.1353/not.2001.0172
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  1. Communications
  2. pp. 203-204
  3. DOI: 10.1353/not.2001.0130
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  1. Notes for NOTES
  2. pp. 55-58
  3. DOI: 10.1353/not.2001.0163
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  1. Dedication Service for St. Gertrude's Chapel, Hamburg, 1607 (review)
  2. William E. Hettrick
  3. pp. 180-183
  4. DOI: 10.1353/not.2001.0145
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  1. Music Received
  2. David Knapp
  3. pp. 192-202
  4. DOI: 10.1353/not.2001.0153
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