In this Issue
Frontiers is one of the oldest and most respected feminist journals in the United States. Frontiers retains its original commitment to a broad mix of scholarly work, personal essays, and the arts and to multicultural and interdisciplinary perspectives offered in accessible language. The cross-disciplinary and culturally diverse nature of the journal's feminist content makes it an ideal source of women's history, cultural theory, literature, essays, art, criticism, and pedagogical approaches.
published by
University of Nebraska Pressviewing issue
Volume 30, Number 2, 2009Table of Contents
- The Photographer’s Wife
- pp. 143-149
- DOI: 10.1353/fro.0.0052
- The Photographer’s Wife: Seeing and Staging
- pp. 150-151
- DOI: 10.1353/fro.0.0053
- Gertie and the Visitors
- pp. 152-164
- DOI: 10.1353/fro.0.0054
- The Night Café
- p. 165
- DOI: 10.1353/fro.0.0055
- What’s Political about the New Feminisms?
- pp. 166-198
- DOI: 10.1353/fro.0.0056
- Introduction
- pp. vii-viii
- DOI: 10.1353/fro.0.0047
- Contributors
- pp. 199-201
- DOI: 10.1353/fro.0.0057
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Additional Information
ISSN
1536-0334
Print ISSN
0160-9009
Launched on MUSE
2009-08-28
Open Access
No
Copyright
Copyright © 2008 Frontiers Editorial Collective.
