In this Issue
Frontiers is one of the oldest and most respected feminist journals in the United States. Frontiers retains its original commitment to a broad mix of scholarly work, personal essays, and the arts and to multicultural and interdisciplinary perspectives offered in accessible language. The cross-disciplinary and culturally diverse nature of the journal's feminist content makes it an ideal source of women's history, cultural theory, literature, essays, art, criticism, and pedagogical approaches.
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University of Nebraska Pressviewing issue
Volume 30, Number 2, 2009Table of Contents
- The Photographer’s Wife
- pp. 143-149
- DOI: 10.1353/fro.0.0052
- The Photographer’s Wife: Seeing and Staging
- pp. 150-151
- DOI: 10.1353/fro.0.0053
- Gertie and the Visitors
- pp. 152-164
- DOI: 10.1353/fro.0.0054
- The Night Café
- p. 165
- DOI: 10.1353/fro.0.0055
- What’s Political about the New Feminisms?
- pp. 166-198
- DOI: 10.1353/fro.0.0056
- Introduction
- pp. vii-viii
- DOI: 10.1353/fro.0.0047
- Contributors
- pp. 199-201
- DOI: 10.1353/fro.0.0057
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Copyright © 2008 Frontiers Editorial Collective.