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Table of Contents

  1. Bass Parts to an Unknown Purcell Suite at Yale
  2. Robert Stuart Shay
  3. pp. 819-833
  4. DOI: https://doi.org/10.1353/not.2001.0114
  5. restricted access
  1. Necrology Index
  2. Paul Hahn
  3. pp. 864-872
  4. DOI: https://doi.org/10.1353/not.2001.0086
  5. restricted access
  1. Roman Monody, Cantata, and Opera from the Circles around Cardinal Montalto (review)
  2. Susan Helen Parisi
  3. pp. 883-887
  4. DOI: https://doi.org/10.1353/not.2001.0104
  5. restricted access
  1. Hugo Wolf and His Morike Songs (review)
  2. Amanda Glauert
  3. pp. 887-888
  4. DOI: https://doi.org/10.1353/not.2001.0083
  5. restricted access
  1. Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music (review)
  2. Susan Forscher Weiss
  3. pp. 888-891
  4. DOI: https://doi.org/10.1353/not.2001.0119
  5. restricted access
  1. Popular American Recording Pioneers, 1895-1925 (review)
  2. David Seubert
  3. pp. 891-892
  4. DOI: https://doi.org/10.1353/not.2001.0113
  5. restricted access
  1. The Unsung Songwriters: America's Masters of Melody (review)
  2. De Catanzaro, Christine D
  3. pp. 892-893
  4. DOI: https://doi.org/10.1353/not.2001.0079
  5. restricted access
  1. Mozart: A Cultural Biography (review)
  2. Mario Raymond Mercado
  3. pp. 893-895
  4. DOI: https://doi.org/10.1353/not.2001.0101
  5. restricted access
  1. A Reader's Guide to Haydn's Early String Quartets (review)
  2. Guido Olivieri
  3. p. 897
  4. DOI: https://doi.org/10.1353/not.2001.0105
  5. restricted access
  1. Manuel Garcia (1775-1832): Chronicle of the Life of a bel canto Tenor at the Dawn of Romanticism (review)
  2. Keith Harris Cochran
  3. pp. 898-899
  4. DOI: https://doi.org/10.1353/not.2001.0073
  5. restricted access
  1. Felix Mendelssohn Bartholdy: Kongress-Bericht Berlin 1994 (review)
  2. John Michael Cooper
  3. pp. 901-902
  4. DOI: https://doi.org/10.1353/not.2001.0075
  5. restricted access
  1. Anton Bruckner: Symphony No. 8 (review)
  2. Graham H. Phipps
  3. pp. 902-903
  4. DOI: https://doi.org/10.1353/not.2001.0106
  5. restricted access
  1. A Brahms Reader (review)
  2. Heather Anne Platt
  3. pp. 904-905
  4. DOI: https://doi.org/10.1353/not.2001.0107
  5. restricted access
  1. Musical Women in England, 1870-1914: "Encroaching on All Man's Privileges" (review)
  2. Nicky Losseff
  3. pp. 905-907
  4. DOI: https://doi.org/10.1353/not.2001.0098
  5. restricted access
  1. Webern and the Transformation of Nature (review)
  2. Charlotte Marie Cross
  3. pp. 907-909
  4. DOI: https://doi.org/10.1353/not.2001.0077
  5. restricted access
  1. Karol Szymanowski: His Life and Work (review)
  2. Stephen C. Downes
  3. pp. 909-910
  4. DOI: https://doi.org/10.1353/not.2001.0080
  5. restricted access
  1. Shostakovich in Context (review)
  2. Esti Sheinberg
  3. pp. 910-912
  4. DOI: https://doi.org/10.1353/not.2001.0115
  5. restricted access
  1. Writing Jazz (review)
  2. Robert Rawlins
  3. pp. 914-915
  4. DOI: https://doi.org/10.1353/not.2001.0109
  5. restricted access
  1. Artie Shaw: A Musical Biography and Discography (review)
  2. Arnold Laubich
  3. pp. 915-916
  4. DOI: https://doi.org/10.1353/not.2001.0094
  5. restricted access
  1. The Ladies Who Sing with the Band (review)
  2. Kate Daubney
  3. pp. 916-917
  4. DOI: https://doi.org/10.1353/not.2001.0078
  5. restricted access
  1. Irving Berlin: American Troubadour (review)
  2. David Carson Berry
  3. pp. 917-919
  4. DOI: https://doi.org/10.1353/not.2001.0070
  5. restricted access
  1. Expression in Pop-Rock Music: A Collection of Critical and Analytical Essays (review)
  2. Stan Hawkins
  3. pp. 919-921
  4. DOI: https://doi.org/10.1353/not.2001.0089
  5. restricted access
  1. Romancing the Folk: Public Memory and American Roots Music (review)
  2. Kip Lornell
  3. pp. 921-922
  4. DOI: https://doi.org/10.1353/not.2001.0097
  5. restricted access
  1. Mountains of Music: West Virginia Traditional Music from Goldenseal (review)
  2. Drew Beisswenger
  3. pp. 922-923
  4. DOI: https://doi.org/10.1353/not.2001.0069
  5. restricted access
  1. Shaping Society through Dance: Mestizo Ritual Performance in the Peruvian Andes (review)
  2. John Mendell Schechter
  3. pp. 923-925
  4. DOI: https://doi.org/10.1353/not.2001.0111
  5. restricted access
  1. Awakening Spaces: French Caribbean Popular Songs, Music, and Culture (review)
  2. Steven Cornelius
  3. pp. 925-926
  4. DOI: https://doi.org/10.1353/not.2001.0076
  5. restricted access
  1. The Life and Artistry of Maria Olenina-d'Alheim (review)
  2. Gerald R. Seaman
  3. pp. 926-928
  4. DOI: https://doi.org/10.1353/not.2001.0112
  5. restricted access
  1. Jean Langlais: The Man and His Music (review)
  2. Benjamin Van Wye
  3. pp. 928-929
  4. DOI: https://doi.org/10.1353/not.2001.0117
  5. restricted access
  1. Operatic Subjects: The Evolution of Self in Modern Opera (review)
  2. Linda Hutcheon
  3. pp. 929-931
  4. DOI: https://doi.org/10.1353/not.2001.0091
  5. restricted access
  1. Rhythms of Resistance: African Musical Heritage in Brazil (review)
  2. Gerard Béhague
  3. pp. 931-933
  4. DOI: https://doi.org/10.1353/not.2001.0068
  5. restricted access
  1. The Art of Performance (review)
  2. L. Poundie Burstein
  3. pp. 933-934
  4. DOI: https://doi.org/10.1353/not.2001.0072
  5. restricted access
  1. The Algorithmic Composer (review)
  2. Mark Polishook
  3. pp. 934-936
  4. DOI: https://doi.org/10.1353/not.2001.0108
  5. restricted access
  1. Books Recently Published
  2. Rebecca Littman, Stephen Yusko
  3. pp. 938-974
  4. DOI: https://doi.org/10.1353/not.2001.0096
  5. restricted access
  1. Finale 2000: Music Notation Software (review)
  2. David S. Lefkowitz
  3. pp. 975-981
  4. DOI: https://doi.org/10.1353/not.2001.0095
  5. restricted access
  1. Treasures from American Film Archives: 50 Preserved Films (review)
  2. Marilee Bradford
  3. pp. 981-983
  4. DOI: https://doi.org/10.1353/not.2001.0071
  5. restricted access
  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 984-986
  4. DOI: https://doi.org/10.1353/not.2001.0090
  5. restricted access
  1. Solfeggio: per coro (SATB) a cappella (1964/1996), and: Cantate Domino canticum novum: Psalm 95 fur Chor oder Solisten (SATB) und Orgel (1977, rev. 1996), and: Missa syllabica: Fur vier Stimmen oder gemischten Chor und Orgel (1977, rev. 1996), and: Sarah Was Ninety Years Old: Fur drei Singstimmen (STT), Schlagzeug und Orgel (1977/1990), and: Ein Wallfahrtslied: Psalm 121 fur eine Mannerstimme (Tenor oder Bariton) und Streichquartett (1984, rev. 1996), and: Zwei slawische Psalmen (Psalm 117, Psalm 131): Fur Chor oder Sopran, Alt, Countertenor, Tenor und Bass, a cappella (1984, rev. 1997), and: Te Deum: Fur drei Chore, Klavier, Streicher und Tonband (1984/85, rev. 1992), and: Miserere: Fur Soli, Chor, Ensemble und Orgel (1989, rev. 1992), and: And One of the Pharisees. ..: Fur drei Singstimmen (Ct[A]TB) a cappella (1992), and: Memento: Fur Chor (SATB) a cappella (1994), and: Litany: Prayers of St. John Chrysostom for Each Hour of the Day and Night: Per soli (A[Ct]TTB), coro (SATB) ed orchestra (1994, rev. 1996), and: I Am the True Vine: Per coro a cappella (1996), and: The Woman with the Alabaster Box: St. Matthew 26, 6-13 fur Chor (SATB) a cappella (1997), and: Tribute to Caesar: St. Matthew 22, 15-22 fur Chor (SATB) a cappella (1997), and: Collected Choral Works (review)
  2. Jeffers Engelhardt
  3. pp. 987-993
  4. DOI: https://doi.org/10.1353/not.2001.0081
  5. restricted access
  1. Rosina: A Comic Opera (1782) (review)
  2. Alyson McLamore
  3. pp. 993-997
  4. DOI: https://doi.org/10.1353/not.2001.0100
  5. restricted access
  1. La Cenerentola, ossia, La bonta in Trionfo: Dramma giocoso in due atti (review)
  2. Helen M. Greenwald
  3. pp. 997-999
  4. DOI: https://doi.org/10.1353/not.2001.0085
  5. restricted access
  1. Obras completas de Rodrigo de Ceballos (review)
  2. Jane Morlet Hardie
  3. pp. 1009-1011
  4. DOI: https://doi.org/10.1353/not.2001.0087
  5. restricted access
  1. Requiem, op. 48, pour soli, choeur, et orchestre symphonique: Version de concert, 1900 (review)
  2. David Gilbert
  3. pp. 1018-1020
  4. DOI: https://doi.org/10.1353/not.2001.0082
  5. restricted access
  1. Communications
  2. pp. 1031-1032
  3. DOI: https://doi.org/10.1353/not.2001.0074
  4. restricted access
  1. Notes for NOTES
  2. pp. 873-882
  3. DOI: https://doi.org/10.1353/not.2001.0103
  4. restricted access
  1. Music Received
  2. David Knapp
  3. pp. 1021-1029
  4. DOI: https://doi.org/10.1353/not.2001.0102
  5. restricted access