1. Guest Editorial
  2. Jacquelyn Martino
  3. p. 294
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  1. Director’s Statement
  2. Rebecca Strzelec
  3. p. 295
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  1. SIGGRAPH Distinguished Artist Award: Lynn Hershman Leeson
  2. p. 296
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  1. SIGGRAPH Distinguished Artist Award: Roman Verostko
  2. p. 297
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  1. Art Papers Jury
  2. pp. 298-299
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  1. Wearable Forest Clothing System: Beyond Human-Computer Interaction
  2. Hiroki Kobayashi, Ryoko Ueoka, Michitaka Hirose
  3. pp. 300-306
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  1. Re-Visioning the Interface: Technological Fashion as Critical Media
  2. Susan Elizabeth Ryan
  3. pp. 307-313
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  1. The 200 Year Continuum
  2. Christian Kerrigan
  3. pp. 314-323
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  1. Experimental Interaction Unit: Commodities of Mass Destruction
  2. Anuradha Vikram
  3. pp. 324-330
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  1. MobiSpray: Mobile Phone as Virtual Spray Can for Painting BIG Anytime Anywhere on Anything
  2. Jürgen Scheible, Timo Ojala
  3. pp. 332-341
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  1. A New System to Appreciate the Visual Characteristics of a Painting
  2. Tsutomu Miyashita
  3. pp. 342-349
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  1. Souvenirs du monde des montagnes
  2. Camille Scherrer, Julien Pilet, Vincent Lepetit, Pascal Fua
  3. pp. 350-355
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  1. BioLogic Art Gallery Jury
  2. pp. 356-357
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  1. Hylozoic Soil
  2. Philip Beesley
  3. pp. 360-361
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  1. Growth Rendering Device
  2. David Bowen
  3. pp. 362-363
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  1. Post Global Warming Survival Kit
  2. Petko Dourmana
  3. pp. 364-365
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  1. Electric Eigen-Portraits
  2. Arthur Elsenaar
  3. pp. 366-367
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  1. Artifacts from a Parallel Universe: Tentative Architecture of Other Earth_Coastline Inhabitants
  2. Xárene Eskandar
  3. pp. 368-369
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  1. TRANSDUCERS
  2. Verena Friedrich
  3. pp. 370-371
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  1. One
  2. Yoon Chung Han
  3. pp. 372-373
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  1. MSOrgm (Motivational Sensitive Organism)
  2. Scottie Chih-Chieh Huang
  3. pp. 374-375
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  1. Fur-Fly
  2. Kumiko Kushiyama
  3. pp. 376-377
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  1. Mr. Lee Experiment
  2. Sanghun Lee
  3. pp. 378-379
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  1. Biological Instrumentation
  2. Nina Tommasi
  3. pp. 380-381
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  1. Leonardo Network News
  2. pp. 382-383
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  1. Introduction
  2. Elona Van Gent
  3. pp. 358-359
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