In this Issue

Table of Contents

Speculative ‘Musica’ and the Medieval University of Paris

Joseph Dyer
pp. 177-204
restricted access

The Need for Latin Textual Scholarship in Renaissance Musicology

Demmy Verbeke
pp. 205-214
restricted access

‘Mutato semper habitu’: Heinrich Schütz and the Culture of Rhetoric

Bettina Varwig
pp. 215-239
restricted access

Defining the Term ‘Absolute Music’ Historically

Sanna Pederson
pp. 240-262
restricted access

The Crisis of Music in Early Modern Europe 1470–1530 (review)

Leeman L. Perkins
pp. 263-268
restricted access

Sounding Objects: Musical Instruments, Poetry, and Art in Renaissance France (review)

Leeman L. Perkins
pp. 268-271
restricted access

Cristóbal de Morales. Sources, Influences, Reception (review)

Esperanza Rodríguez-García
pp. 271-274
restricted access

Devotional Music in the Iberian World, 1450–1800: The Villancico and Related Genres (review)

Paul R. Laird
pp. 274-276
restricted access

Chambonnières: A Thematic Catalogue—The Complete Works of Jacques Champion de Chambonnières (1601/02–1672) (review)

David Ledbetter
pp. 276-278
restricted access

The Viola da Gamba Society Index of Manuscripts Containing Consort Music, Vol. 2 (review)

David Pinto
pp. 278-280
restricted access

J. S. Bach’s Concerted Ensemble Music: The Concerto (review)

David Yearsley
pp. 280-283
restricted access

Mozart’s Viennese Instrumental Music. A Study of Stylistic Re-Invention (review)

Julian Rushton
pp. 283-287
restricted access

The Cambridge Companion to Haydn (review)

Richard Will
pp. 287-289
restricted access

Heinrich Heine and the Lied (review)

Amanda Glauert
pp. 289-292
restricted access

Robert Schumann: The Book of Songs (review)

Laura Tunbridge
pp. 292-294
restricted access

Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music (review)

Peter Tregear
pp. 294-295
restricted access

Symphonic Aspirations: German Music and Politics, 1900–1945 (review)

Nicholas Attfield
pp. 296-298
restricted access

Jean Sibelius. Dagbok 1909–1944, and: Jean Sibelius: Poesie in der Luft. Studien zu Leben und Werke, and: Sibelius (review)

Daniel M. Grimley
pp. 298-304
restricted access

Bartók and the Grotesque: Studies in Modernity, the Body, and Contradiction in Music (review)

Amanda Bayley
pp. 304-307
restricted access

Ligeti, Kurtág, and Hungarian Music during the Cold War (review)

Amy Bauer
pp. 307-310
restricted access

Sofia Gubaidulina: A Biography (review)

Ivana Medić
pp. 311-313
restricted access

Messiaen Studies (review)

Stephen Broad
pp. 313-315
restricted access

The Gendered Score: Music in 1940s Melodrama and the Woman’s Film (review)

Marcia J. Citron
pp. 315-317
restricted access

Silence, Music, Silent Music (review)

Naomi Waltham-Smith
pp. 317-320
restricted access

Off Key: When Film and Music Won’t Work Together (review)

Carlo Cenciarelli
pp. 320-322
restricted access

Music and Urban Geography (review)

Philip V. Bohlman
pp. 322-324
restricted access

‘Music & Letters’ Awards

p. 326
restricted access

Authors of Articles in This Issue

p. 326
restricted access

Nigel Fortune (1924–2009)

p. 330
restricted access

Books Received

pp. 327-329
restricted access