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Table of Contents

  1. Performativity and Becoming
  2. Mikko Tuhkanen
  3. pp. 1-35
  4. DOI: https://doi.org/10.1353/cul.0.0047
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  1. Deconstructing the Psychopath: A Critical Discursive Analysis
  2. Cary Federman, Dave Holmes, Jean Daniel Jacob
  3. pp. 36-65
  4. DOI: https://doi.org/10.1353/cul.0.0037
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  1. “The Thinking Man’s Filter”: J. L. Austin’s Ordinary Language Philosophy as Cultural Criticism
  2. Michael J. Golec
  3. pp. 66-88
  4. DOI: https://doi.org/10.1353/cul.0.0039
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  1. Global English Ideography and the Dissolve Translation in Hollywood Film
  2. R. John Williams
  3. pp. 89-136
  4. DOI: https://doi.org/10.1353/cul.0.0041
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  1. From Fictive Ability to National Identity: Disability, Medical Inspection, and Public Health Regulations on Ellis Island
  2. Roxana Galusca
  3. pp. 137-163
  4. DOI: https://doi.org/10.1353/cul.0.0043
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  1. The “Vox Populi,” or the Infernal Propaganda Machine, and Juridical Force in Colonial India
  2. Sukeshi Kamra
  3. pp. 164-202
  4. DOI: https://doi.org/10.1353/cul.0.0044
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  1. “Ponte aquí al lado”: Ekphrasis and Deception in Ana Rossetti’s and José Duarte’s Simparidades
  2. Sarah Demeuse
  3. pp. 203-224
  4. DOI: https://doi.org/10.1353/cul.0.0046
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  1. The Twilight of the Middle Class: Post–World War II American Fiction and White-Collar Work (review)
  2. Michael Tavel Clarke
  3. pp. 227-230
  4. DOI: https://doi.org/10.1353/cul.0.0036
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  1. Shades of Black: Assembling Black Arts in 1980s Britain (review)
  2. Douglas Field
  3. pp. 231-233
  4. DOI: https://doi.org/10.1353/cul.0.0038
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  1. Editorial Statement
  2. p. v
  3. DOI: https://doi.org/10.1353/cul.0.0045
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  1. Books Received
  2. pp. 234-241
  3. DOI: https://doi.org/10.1353/cul.0.0040
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  1. Contributors
  2. pp. 242-243
  3. DOI: https://doi.org/10.1353/cul.0.0042
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Previous Issue

71, Winter 2009