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Table of Contents

  1. The Enigma of Music, the Voice of Reason: "Music," "Language," and Becoming Human
  2. Elizabeth Tolbert
  3. pp. 451-465
  4. DOI: https://doi.org/10.1353/nlh.2001.0049
  5. restricted access
  1. The Decomposing Voice of Postmodern Music
  2. Steven Connor
  3. pp. 467-483
  4. DOI: https://doi.org/10.1353/nlh.2001.0031
  5. restricted access
  1. Does Socrates Speak for Plato? Reflections on an Open Question
  2. Dorrit Cohn
  3. pp. 485-500
  4. DOI: https://doi.org/10.1353/nlh.2001.0030
  5. restricted access
  1. Mouthpieces: Native American Voices in Thomas Harriot's True and Brief Report of. .. Virginia, Gaspar Perez de Villagra's Historia de la Nuevo Mexico, and John Smith's General History of Virginia
  2. Bruce R. Smith
  3. pp. 501-517
  4. DOI: https://doi.org/10.1353/nlh.2001.0046
  5. restricted access
  1. The Voice in Tourette Syndrome
  2. James Miller
  3. pp. 519-536
  4. DOI: https://doi.org/10.1353/nlh.2001.0039
  5. restricted access
  1. Eruptive Voices: Coprolalia, Malediction, and the Poetics of Cursing
  2. Kate E. Brown, Howard I. Kushner
  3. pp. 537-562
  4. DOI: https://doi.org/10.1353/nlh.2001.0028
  5. restricted access
  1. The Poetics of Tourette Syndrome: Language, Neurobiology, and Poetry
  2. Ronald Schleifer
  3. pp. 563-584
  4. DOI: https://doi.org/10.1353/nlh.2001.0044
  5. restricted access
  1. Compulsion as Cure: Contrary Voices in Early Freud
  2. David Schur
  3. pp. 585-596
  4. DOI: https://doi.org/10.1353/nlh.2001.0045
  5. restricted access
  1. Understanding as Over-hearing: Towards a Dialogics of Voice
  2. Richard Aczel
  3. pp. 597-617
  4. DOI: https://doi.org/10.1353/nlh.2001.0025
  5. restricted access
  1. New Wine in Old Bottles? Voice, Focalization and New Writing
  2. Monika Fludernik
  3. pp. 619-638
  4. DOI: https://doi.org/10.1353/nlh.2001.0033
  5. restricted access
  1. "And the Wind Wheezing Through That Organ Once in a While": Voice, Narrative, Film
  2. Andrew Gibson
  3. pp. 639-657
  4. DOI: https://doi.org/10.1353/nlh.2001.0035
  5. restricted access
  1. Narrative Voice and Agency in Drama: Aspects of a Narratology of Drama
  2. Manfred Jahn
  3. pp. 659-679
  4. DOI: https://doi.org/10.1353/nlh.2001.0037
  5. restricted access
  1. Voice and Narration in Postmodern Drama
  2. Brian Richardson
  3. pp. 681-694
  4. DOI: https://doi.org/10.1353/nlh.2001.0042
  5. restricted access
  1. The Cognitive Status of Textual Voice
  2. Manfred Jahn
  3. pp. 695-697
  4. DOI: https://doi.org/10.1353/nlh.2001.0038
  5. restricted access
  1. Inhuman Voices
  2. Brian Richardson
  3. pp. 699-701
  4. DOI: https://doi.org/10.1353/nlh.2001.0043
  5. restricted access
  1. Throwing Voices
  2. Richard Aczel
  3. pp. 703-705
  4. DOI: https://doi.org/10.1353/nlh.2001.0026
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  1. Narrative Voices--Ephemera or Bodied Beings
  2. Monika Fludernik
  3. pp. 707-710
  4. DOI: https://doi.org/10.1353/nlh.2001.0034
  5. restricted access
  1. Silence of the Voice
  2. Andrew Gibson
  3. pp. 711-713
  4. DOI: https://doi.org/10.1353/nlh.2001.0036
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  1. Narrative Voice: The Case of Chaucer's Man of Law's Tale
  2. A. C. Spearing
  3. pp. 715-746
  4. DOI: https://doi.org/10.1353/nlh.2001.0047
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  1. T. S. Eliot's The Waste Land, the Gramophone, and the Modernist Discourse Network
  2. Juan Antonio Suárez
  3. pp. 747-768
  4. DOI: https://doi.org/10.1353/nlh.2001.0048
  5. restricted access
  1. The Victorian Aura of the Recorded Voice
  2. John M. Picker
  3. pp. 769-786
  4. DOI: https://doi.org/10.1353/nlh.2001.0040
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  1. Voice to Voice: Reflections on the Art of Conversation
  2. Jonathan Rée
  3. pp. 787-792
  4. DOI: https://doi.org/10.1353/nlh.2001.0041
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  1. Introduction
  2. Ralph Cohen
  3. pp. v-vii
  4. DOI: https://doi.org/10.1353/nlh.2001.0029
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  1. Contributors
  3. pp. 793-795
  4. DOI: https://doi.org/10.1353/nlh.2001.0032
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  1. Books Received
  3. pp. 797-801
  4. DOI: https://doi.org/10.1353/nlh.2001.0027
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