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Table of Contents

  1. Symptoms of desire: Colour, costume, and commodities in fashion newsreels of the 1910s and 1920s
  2. Eirik Frisvold Hanssen
  3. pp. 107-121
  4. DOI: https://doi.org/10.2979/fil.2009.21.2.107
  5. restricted access
  1. 'The modern Elixir of Life': Kinemacolor, royalty and the Delhi Durbar
  2. Luke McKernan
  3. pp. 122-136
  4. DOI: https://doi.org/10.2979/fil.2009.21.2.122
  5. restricted access
  1. Colouring the nation: Spectacle, reality and British natural colour in the silent and early sound era
  2. Simon Brown
  3. pp. 139-149
  4. DOI: https://doi.org/10.2979/fil.2009.21.2.139
  5. restricted access
  1. Early 16mm colour by a career amateur
  2. Kaveh Askari
  3. pp. 150-163
  4. DOI: https://doi.org/10.2979/fil.2009.21.2.150
  5. restricted access
  1. 'Harmonious sensations of sound by means of colors': Vernacular colour abstractions in silent cinema
  2. Joshua Yumibe
  3. pp. 164-176
  4. DOI: https://doi.org/10.2979/fil.2009.21.2.164
  5. restricted access
  1. Tinting and toning at Pathé: The Jacques Mayer notebook
  2. Stéphanie Salmon
  3. pp. 177-179
  4. DOI: https://doi.org/10.2979/fil.2009.21.2.177
  5. restricted access
  1. Colour by Stencil: Germaine Berger and Pathécolor
  2. Jorge Dana, Niki Kolaitis
  3. pp. 180-183
  4. DOI: https://doi.org/10.2979/fil.2009.21.2.180
  5. restricted access
  1. Special Section: Color Plates
  3. pp. P1-P8
  4. restricted access