The Velvet Light Trap

Aesthetics and Style

The Aesthetics of Failure

Jason Mittell

pp. 76-77

DOI: https://doi.org/10.1353/vlt.0.0044

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The Return of Jezebel James

Michael Z. Newman

pp. 77-78

DOI: https://doi.org/10.1353/vlt.0.0045

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Dissolved Away

Barry Salt

p. 79

DOI: https://doi.org/10.1353/vlt.0.0046

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Losers

Charlie Keil

pp. 79-81

DOI: https://doi.org/10.1353/vlt.0.0047

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Fuller's Most Fascinating Flop: Park Row

Lisa Dombrowski

pp. 81-82

DOI: https://doi.org/10.1353/vlt.0.0048

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The Bionic Woman 2.0

Heather Osborne-Thompson

pp. 82-83

DOI: https://doi.org/10.1353/vlt.0.0049

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Technology

The Cat Telephone

Jonathan Sterne

pp. 83-84

DOI: https://doi.org/10.1353/vlt.0.0050

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The Story of 50mm Film

John Belton

pp. 84-86

DOI: https://doi.org/10.1353/vlt.0.0051

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Nitrate's Still Waiting

Leo Enticknap

pp. 86-87

DOI: https://doi.org/10.1353/vlt.0.0052

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Plug and Play: Performances of Risk and Failure in Digital Media Presentations

Lisa Nakamura

pp. 87-89

DOI: https://doi.org/10.1353/vlt.0.0053

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Social and Political Representation

What We Can Learn from King

Jennifer Fuller

pp. 89-90

DOI: https://doi.org/10.1353/vlt.0.0054

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The So-Called Fall of Blaxploitation

Ed Guerrero

pp. 90-91

DOI: https://doi.org/10.1353/vlt.0.0055

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Falling Women: Hollywood and Its Chick Flick Audience

Diane Negra

pp. 91-92

DOI: https://doi.org/10.1353/vlt.0.0056

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Methods/ Assumptions of Media Studies

The Extraordinary Adventures of Mr. Analog in the Land of the Pixels

Paolo Cherchi Usai

pp. 92-94

DOI: https://doi.org/10.1353/vlt.0.0057

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Vagaries of a Concept: The Culture Industry

Dana Polan

pp. 94-95

DOI: https://doi.org/10.1353/vlt.0.0058

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Of Prepositions: Lost and Found

Edward Branigan

pp. 95-98

DOI: https://doi.org/10.1353/vlt.0.0059

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From Failure: On Prepositions and History

Charles Wolfe

pp. 98-99

DOI: https://doi.org/10.1353/vlt.0.0060

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Nine Theses on the Failures and False Start of Filmic Ontology

Brian Price

pp. 100-101

DOI: https://doi.org/10.1353/vlt.0.0061

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Notes on the Emergence of Failure Studies

Charles Ramírez Berg

pp. 101-102

DOI: https://doi.org/10.1353/vlt.0.0062

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Seven Reasons Why I Love Submarine Movies

Bill Nichols

pp. 102-103

DOI: https://doi.org/10.1353/vlt.0.0063

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One Reservation

Scott MacDonald

p. 103

DOI: https://doi.org/10.1353/vlt.0.0064

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A Skip in the Record of Media Studies: Why the Failure to Better Understand Popular Music as Media Matters So Much Today

Tim J. Anderson

pp. 103-105

DOI: https://doi.org/10.1353/vlt.0.0065

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Industry and Business

Economic Externalities: Looking beyond Box-Office Revenues

Douglas Gomery

pp. 105-106

DOI: https://doi.org/10.1353/vlt.0.0066

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Interactive TV Too Early: The False Start of QUBE

Amanda D. Lotz

pp. 106-107

DOI: https://doi.org/10.1353/vlt.0.0067

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Franchise Failures

Kristin Thompson

pp. 107-109

DOI: https://doi.org/10.1353/vlt.0.0068

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