1. Claiming the Found: Archive Footage and Documentary Practice
  2. Vance Kepley, Rebecca Swender
  3. pp. 3-10
  4. DOI: 10.1353/vlt.0.0037
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  1. Hollywood Party, Jimmy Durante, and the Cultural Politics of Coherence
  2. Allen Larson
  3. pp. 11-22
  4. DOI: 10.1353/vlt.0.0038
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  1. A Virtual Failure: Evaluating the Success of Nintendo's Virtual Boy
  2. Steven Boyer
  3. pp. 23-33
  4. DOI: 10.1353/vlt.0.0039
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  1. Convergent Consortia: Format Battles in High Definition
  2. Bryan Sebok
  3. pp. 34-49
  4. DOI: 10.1353/vlt.0.0040
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  1. StarCraft Fan Craft: Game Mods, Ownership, and Totally Incomplete Conversions
  2. Derek Johnson
  3. pp. 50-63
  4. DOI: 10.1353/vlt.0.0041
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  1. Public Service Broadcasting and the Failure of Political Representation
  2. Kyle Conway
  3. pp. 64-75
  4. DOI: 10.1353/vlt.0.0042
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  1. Dossier: Perspectives on Failure
  2. The Editors
  3. p. 76
  4. DOI: 10.1353/vlt.0.0043
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  1. The Aesthetics of Failure
  2. Jason Mittell
  3. pp. 76-77
  4. DOI: 10.1353/vlt.0.0044
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  1. The Return of Jezebel James
  2. Michael Z. Newman
  3. pp. 77-78
  4. DOI: 10.1353/vlt.0.0045
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  1. Dissolved Away
  2. Barry Salt
  3. p. 79
  4. DOI: 10.1353/vlt.0.0046
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  1. Losers
  2. Charlie Keil
  3. pp. 79-81
  4. DOI: 10.1353/vlt.0.0047
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  1. Fuller's Most Fascinating Flop: Park Row
  2. Lisa Dombrowski
  3. pp. 81-82
  4. DOI: 10.1353/vlt.0.0048
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  1. The Bionic Woman 2.0
  2. Heather Osborne-Thompson
  3. pp. 82-83
  4. DOI: 10.1353/vlt.0.0049
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  1. The Cat Telephone
  2. Jonathan Sterne
  3. pp. 83-84
  4. DOI: 10.1353/vlt.0.0050
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  1. The Story of 50mm Film
  2. John Belton
  3. pp. 84-86
  4. DOI: 10.1353/vlt.0.0051
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  1. Nitrate's Still Waiting
  2. Leo Enticknap
  3. pp. 86-87
  4. DOI: 10.1353/vlt.0.0052
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  1. Plug and Play: Performances of Risk and Failure in Digital Media Presentations
  2. Lisa Nakamura
  3. pp. 87-89
  4. DOI: 10.1353/vlt.0.0053
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  1. What We Can Learn from King
  2. Jennifer Fuller
  3. pp. 89-90
  4. DOI: 10.1353/vlt.0.0054
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  1. The So-Called Fall of Blaxploitation
  2. Ed Guerrero
  3. pp. 90-91
  4. DOI: 10.1353/vlt.0.0055
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  1. Falling Women: Hollywood and Its Chick Flick Audience
  2. Diane Negra
  3. pp. 91-92
  4. DOI: 10.1353/vlt.0.0056
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  1. The Extraordinary Adventures of Mr. Analog in the Land of the Pixels
  2. Paolo Cherchi Usai
  3. pp. 92-94
  4. DOI: 10.1353/vlt.0.0057
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  1. Vagaries of a Concept: The Culture Industry
  2. Dana Polan
  3. pp. 94-95
  4. DOI: 10.1353/vlt.0.0058
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  1. Of Prepositions: Lost and Found
  2. Edward Branigan
  3. pp. 95-98
  4. DOI: 10.1353/vlt.0.0059
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  1. From Failure: On Prepositions and History
  2. Charles Wolfe
  3. pp. 98-99
  4. DOI: 10.1353/vlt.0.0060
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  1. Nine Theses on the Failures and False Start of Filmic Ontology
  2. Brian Price
  3. pp. 100-101
  4. DOI: 10.1353/vlt.0.0061
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  1. Notes on the Emergence of Failure Studies
  2. Charles Ramírez Berg
  3. pp. 101-102
  4. DOI: 10.1353/vlt.0.0062
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  1. Seven Reasons Why I Love Submarine Movies
  2. Bill Nichols
  3. pp. 102-103
  4. DOI: 10.1353/vlt.0.0063
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  1. One Reservation
  2. Scott MacDonald
  3. p. 103
  4. DOI: 10.1353/vlt.0.0064
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  1. A Skip in the Record of Media Studies: Why the Failure to Better Understand Popular Music as Media Matters So Much Today
  2. Tim J. Anderson
  3. pp. 103-105
  4. DOI: 10.1353/vlt.0.0065
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  1. Economic Externalities: Looking beyond Box-Office Revenues
  2. Douglas Gomery
  3. pp. 105-106
  4. DOI: 10.1353/vlt.0.0066
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  1. Interactive TV Too Early: The False Start of QUBE
  2. Amanda D. Lotz
  3. pp. 106-107
  4. DOI: 10.1353/vlt.0.0067
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  1. Franchise Failures
  2. Kristin Thompson
  3. pp. 107-109
  4. DOI: 10.1353/vlt.0.0068
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  1. Introduction
  2. The editors
  3. pp. 1-2
  4. DOI: 10.1353/vlt.0.0036
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