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Table of Contents

  1. From the Editors
  3. pp. 717-719
  4. DOI: https://doi.org/10.1353/nlh.1999.0054
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  1. Interpretative Method for a Tale by Boccaccio: An Enchanted Pear Tree in Argos ( Decameron VII.9)
  2. Richard Francis Kuhns
  3. pp. 721-736
  4. DOI: https://doi.org/10.1353/nlh.1999.0050
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  1. Fortuna and the Landscape of Action in Machiavelli's Prince
  2. Charles D. Tarlton
  3. pp. 737-755
  4. DOI: https://doi.org/10.1353/nlh.1999.0053
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  1. Valuing Practices in Hume
  2. Carol Kay
  3. pp. 757-767
  4. DOI: https://doi.org/10.1353/nlh.1999.0049
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  1. Why Does No One Care about the Aesthetic Value of Huckleberry Finn ?
  2. Jonathan Arac
  3. pp. 769-784
  4. DOI: https://doi.org/10.1353/nlh.1999.0043
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  1. The Last Word in Lyric: Mallarme's Silent Siren
  2. Eric Lawrence Gans
  3. pp. 785-814
  4. DOI: https://doi.org/10.1353/nlh.1999.0046
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  1. Blood for Ghosts? Homer, Ezra Pound, and Julius Africanus
  2. Ahuvia Kahane
  3. pp. 815-836
  4. DOI: https://doi.org/10.1353/nlh.1999.0048
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  1. Kafka as a Jew
  2. Walter Herbert Sokel
  3. pp. 837-853
  4. DOI: https://doi.org/10.1353/nlh.1999.0052
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  1. Virginia Woolf and the Flesh of the World
  2. Louise Hutchings Westling
  3. pp. 855-875
  4. DOI: https://doi.org/10.1353/nlh.1999.0055
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  1. Anonymity and Authorship
  2. Robert J. Griffin
  3. pp. 877-895
  4. DOI: https://doi.org/10.1353/nlh.1999.0047
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  1. Comedies of Transgression in Gangsta Rap and Ancient Classical Poetry
  2. Ralph Mark Rosen, Donald R. Marks
  3. pp. 897-928
  4. DOI: https://doi.org/10.1353/nlh.1999.0051
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  1. Contributors
  3. pp. 929-930
  4. DOI: https://doi.org/10.1353/nlh.1999.0045
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  1. Books Received
  3. pp. 931-933
  4. DOI: https://doi.org/10.1353/nlh.1999.0044
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