1. Disguises, Gender-Bending, and Clothing Symbolism in Dietrich von der Gletze’s Der Borte
  2. Albrecht Classen
  3. pp. 95-110
  4. DOI: 10.1353/smr.0.0064
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  1. Whimsy, Wit, and Humor: Satire in the Work of Matthias Claudius
  2. Herbert Rowland
  3. pp. 111-124
  4. DOI: 10.1353/smr.0.0065
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  1. “Der Blick über den Kulturzaun”: Perspectives on Multiculturalism in the Novels of Barbara Frischmuth
  2. Edith Toegel
  3. pp. 125-137
  4. DOI: 10.1353/smr.0.0066
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  1. Modes of Musicality in Paul Celan’s Die Niemandsrose
  2. Axel Englund
  3. pp. 138-158
  4. DOI: 10.1353/smr.0.0067
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  1. Ingo Schulzes Erzählband Handy. Dreizehn Geschichten in alter Manier: “Simple” Geschichten in neuer Manier?
  2. Christine Cosentino
  3. pp. 159-173
  4. DOI: 10.1353/smr.0.0062
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  1. Decadent Fetishism in Ulrike Ottinger’s Johanna d’Arc of Mongolia
  2. Cyrus Shahan
  3. pp. 174-188
  4. DOI: 10.1353/smr.0.0063
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