1. Birth in the Briar Patch: Charles W. Chesnutt and the Problem of Racial Identity
  2. Daniel Worden
  3. pp. 1-20
  4. DOI: 10.1353/slj.0.0040
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  1. The Politics of Self-Identity in Paul Laurence Dunbar’s The Sport of the Gods
  2. Bridget Harris Tsemo
  3. pp. 21-37
  4. DOI: 10.1353/slj.0.0042
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  1. Chester Himes’s The Third Generation: A Dystopic Domestic Novel
  2. Sandra Wilson Smith
  3. pp. 38-52
  4. DOI: 10.1353/slj.0.0044
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  1. Skunked on the New York Cotton Exchange: What Really Happens to Jason Compson in The Sound and the Fury
  2. Wayne W. Westbrook
  3. pp. 53-68
  4. DOI: 10.1353/slj.0.0046
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  1. Returning South: Reading Culture in James Agee’s Let Us Now Praise Famous Men and Zora Neale Hurston’s Mules and Men
  2. David T. Humphries
  3. pp. 69-86
  4. DOI: 10.1353/slj.0.0048
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  1. The Utopian Function of Affect in Carson McCullers’s The Member of the Wedding and The Ballad of the Sad Café
  2. Darren Millar
  3. pp. 87-105
  4. DOI: 10.1353/slj.0.0037
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  1. “The Most Ordinary Life Imaginable”: Cold War Culture in Walker Percy’s The Moviegoer
  2. Virginia Nickles Osborne
  3. pp. 106-125
  4. DOI: 10.1353/slj.0.0039
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  1. “It Wasn’t God Who Made Honky-Tonk Angels”: Musical Salvation in Dorothy Allison’s Bastard Out of Carolina
  2. Courtney George
  3. pp. 126-147
  4. DOI: 10.1353/slj.0.0041
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  1. The Poor, Dirty South
  2. David A. Davis
  3. pp. 148-150
  4. DOI: 10.1353/slj.0.0043
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  1. Between Martyrdom and Machismo: Black Men and the American South (review)
  2. Donnie McMahand, Kevin Murphy
  3. pp. 151-155
  4. DOI: 10.1353/slj.0.0045
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  1. Discourses of Desire: Uncovering Discursive Spaces of Race and Gender in Modern Southern Fiction
  2. Chanté M. Baker
  3. pp. 156-159
  4. DOI: 10.1353/slj.0.0047
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  1. Re-visioning Women and Place
  2. Jennifer Rae Greeson
  3. pp. 160-164
  4. DOI: 10.1353/slj.0.0036
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  1. Contributors
  2. pp. 165-167
  3. DOI: 10.1353/slj.0.0038
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