1. Freedom, from Romance to the Novel: Three Anti-Utopian American Critics.
  2. Thomas G. Pavel
  3. pp. 579-598
  4. DOI: 10.1353/nlh.1998.0045
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  1. Sideshadowing and Tempics.
  2. Gary Saul Morson
  3. pp. 599-624
  4. DOI: 10.1353/nlh.1998.0043
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  1. Victims-in-Waiting: Backshadowing and the Representation of European Jewry
  2. Michael André Bernstein
  3. pp. 625-651
  4. DOI: 10.1353/nlh.1998.0033
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  1. Pushkin, Literary Criticism, and Creativity in Closed Places
  2. Caryl Emerson
  3. pp. 653-672
  4. DOI: 10.1353/nlh.1998.0040
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  1. Contingency and Freedom, Prosaics and Process.
  2. Gary Saul Morson
  3. pp. 673-686
  4. DOI: 10.1353/nlh.1998.0044
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  1. Keeping the Conversation Going: Prosaics and Literary Theory
  2. Michael André Bernstein
  3. pp. 687-690
  4. DOI: 10.1353/nlh.1998.0034
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  1. Response to Thomas Pavel, "Freedom, from Romance to the Novel: Three Anti-Utopian American Critics."
  2. Caryl Emerson
  3. pp. 691-696
  4. DOI: 10.1353/nlh.1998.0041
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  1. Concluding Statement.
  2. Thomas G. Pavel
  3. pp. 697-698
  4. DOI: 10.1353/nlh.1998.0046
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  1. Landscapes of Terror, Dreams, and Loneliness: Explorations in Art, Ethnography, and Friendship.
  2. Lydia Nakashima Degarrod
  3. pp. 699-726
  4. DOI: 10.1353/nlh.1998.0037
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  1. Cinecriture: Modernism's Flicker Effect
  2. Garrett Stewart
  3. pp. 727-768
  4. DOI: 10.1353/nlh.1998.0048
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  1. Poet versus Abstract Noun: An Agon
  2. Laurence Lerner
  3. pp. 769-784
  4. DOI: 10.1353/nlh.1998.0038
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  1. Possible Worlds of Fiction and History
  2. Lubomir Dolezel
  3. pp. 785-809
  4. DOI: 10.1353/nlh.1998.0039
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  1. Truth Without Scare Quotes: Post-Sokalian Genre Theory.
  2. Marie-Laure Ryan
  3. pp. 811-830
  4. DOI: 10.1353/nlh.1998.0047
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  1. Intentionalism in Aesthetics.
  2. Paisley Livingston
  3. pp. 831-846
  4. DOI: 10.1353/nlh.1998.0042
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  1. Contributors
  2. pp. 847-848
  3. DOI: 10.1353/nlh.1998.0036
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  1. Books Received
  2. pp. 849-852
  3. DOI: 10.1353/nlh.1998.0035
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