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Table of Contents

  1. The Waking of Medieval Theatricality: Paris 1935-1995
  2. Helen Solterer
  3. pp. 357-390
  4. DOI: https://doi.org/10.1353/nlh.1996.0041
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  1. An Epistemology of the Stage: Theatricality and Subjectivity in Early Modern Spain
  2. William Egginton
  3. pp. 391-413
  4. DOI: https://doi.org/10.1353/nlh.1996.0033
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  1. "The American Romance" and the Changing Functions of the Imaginary
  2. Winfried Fluck
  3. pp. 415-457
  4. DOI: https://doi.org/10.1353/nlh.1996.0035
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  1. Hawthorne's Roger Malvin's Burial: A Postcolonial Reading
  2. Manfred Mackenzie
  3. pp. 459-472
  4. DOI: https://doi.org/10.1353/nlh.1996.0038
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  1. Metatheory and the Subject of Democracy in the Work of Ralph Ellison
  2. Miele Steele
  3. pp. 473-502
  4. DOI: https://doi.org/10.1353/nlh.1996.0040
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  1. On the Materiality of Air: Janet Kauffman's Bodyfictions
  2. Amy M. Hollywood
  3. pp. 503-525
  4. DOI: https://doi.org/10.1353/nlh.1996.0036
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  1. from The Body in Four Parts
  2. Janet Kauffman
  3. pp. 527-528
  4. DOI: https://doi.org/10.1353/nlh.1996.0037
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  1. Literary History and the Search for Certainty
  2. Robert Ellrodt
  3. pp. 529-543
  4. DOI: https://doi.org/10.1353/nlh.1996.0034
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  1. The Definition of Criticism
  2. Philip Smallwood
  3. pp. 545-554
  4. DOI: https://doi.org/10.1353/nlh.1996.0039
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  1. Onomatopoeia as a Figure and a Linguistic Principle
  2. Hugh Bredin
  3. pp. 555-569
  4. DOI: https://doi.org/10.1353/nlh.1996.0031
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  1. The Limits of Irony
  2. Berel Lang
  3. pp. 571-588
  4. DOI: https://doi.org/10.1353/nlh.1996.0042
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  1. Contributors
  3. pp. 589-590
  4. DOI: https://doi.org/10.1353/nlh.1996.0032
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  1. Books Received
  3. pp. 591-593
  4. DOI: https://doi.org/10.1353/nlh.1996.0030
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