1. "Le plus fort lien": Sentimental Fixation and Spectacles of Suffering in Les Liaisons dangereuses
  2. Neil Saccamano
  3. pp. 1-22
  4. DOI: 10.1353/sec.2010.0166
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  1. Ladies of Ill-Repute: The South Sea Bubble, The Caribbean, and The Jamaica Lady
  2. Melissa K. Downes
  3. pp. 23-48
  4. DOI: 10.1353/sec.2010.0210
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  1. Money or Mind?: Cecilia, the Novel, and the Real Madness of Selfhood
  2. Susan C. Greenfield
  3. pp. 49-70
  4. DOI: 10.1353/sec.2010.0254
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  1. The Infants' Petitions: An English Poetics of Foundling Reception, 1741-1837
  2. Laura Schattschneider
  3. pp. 71-99
  4. DOI: 10.1353/sec.2010.0298
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  1. Marginal Writers and the 'Literary Market': Defining a New Field of Authorship in Eighteenth-Century France
  2. Geoffrey Turnovsky
  3. pp. 101-123
  4. DOI: 10.1353/sec.2010.0342
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  1. Dreams of Stone: Femininity in the Eighteenth-Century Sculptural Imagination
  2. Caroline Weber
  3. pp. 125-151
  4. DOI: 10.1353/sec.2010.0104
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  1. "'To Sing the Toils of Each Revolving Year': Song and Poetic Authority in Stephen Duck's 'The Thresher's Labour'"
  2. James Mulholland
  3. pp. 153-174
  4. DOI: 10.1353/sec.2010.0148
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  1. Epistolary Relations: Walpole and Cole
  2. George E. Haggerty
  3. pp. 175-192
  4. DOI: 10.1353/sec.2010.0192
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  1. Sea Tales: Nature and Liberty in a Seaman's Journal
  2. April Shelford
  3. pp. 193-219
  4. DOI: 10.1353/sec.2010.0236
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  1. Wants and Goods: Advertisement and Desire in Haywood and Defoe
  2. Barbara M. Benedict
  3. pp. 221-253
  4. DOI: 10.1353/sec.2010.0280
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  1. Prévost ou l'exotisme tragique: L'épisode américain dans Cleveland
  2. Laurence Mall
  3. pp. 255-276
  4. DOI: 10.1353/sec.2010.0324
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  1. Casanova, the Novel, and the Woman as Desiring Subject: The Case of Bettina
  2. Ted Emery
  3. pp. 277-292
  4. DOI: 10.1353/sec.2010.0087
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  1. "What Do You Think Laws Were Made For?": Prison Reform Discourse and the English Jacobin Novel
  2. Alexander H. Pitofsky
  3. pp. 293-312
  4. DOI: 10.1353/sec.2010.0131
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  1. Learning from Experience, or Not: From Chrysippus to Rasselas
  2. Jeffrey Barnouw
  3. pp. 313-338
  4. DOI: 10.1353/sec.2010.0175
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  1. The Ecliptic of the Beautiful
  2. Timothy Erwin
  3. pp. 339-367
  4. DOI: 10.1353/sec.2010.0219
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  1. Pygmalion's "Wanton Kind of Chace": Hogarth, Rowlandson and the "Line of Beauty"
  2. Adam Komisaruk
  3. pp. 369-397
  4. DOI: 10.1353/sec.2010.0263
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  1. A Wanton Chase in a Foreign Place: Hogarth and the Gendering of Exoticism
  2. David Porter
  3. pp. 399-413
  4. DOI: 10.1353/sec.2010.0307
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  1. The Return of Beauty. Purity and the Neo-classical Foundation of Modern Art
  2. Peter C. Sonderen
  3. pp. 415-435
  4. DOI: 10.1353/sec.2010.0071
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  1. Executive Board 2003-2004
  2. p. 441
  3. DOI: 10.1353/sec.2010.0158
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  1. Patron Members 2003-2004
  2. p. 442
  3. DOI: 10.1353/sec.2010.0202
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  1. Sponsoring Members 2003-2004
  2. p. 443
  3. DOI: 10.1353/sec.2010.0246
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  1. Institutional Members 2003-04
  2. p. 444
  3. DOI: 10.1353/sec.2010.0290
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  1. Index
  2. pp. 445-453
  3. DOI: 10.1353/sec.2010.0334
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  1. Editor's Note
  2. Catherine Ingrassia
  3. pp. xi-xiii
  4. DOI: 10.1353/sec.2010.0122
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  1. Contributors to Volume 33
  2. pp. 437-440
  3. DOI: 10.1353/sec.2010.0114
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