In this Issue

Table of Contents

Theorizing Amateur Cinema: Limitations and Possibilities

Ryan Shand
pp. 36-60
DOI: https://doi.org/10.1353/mov.0.0017
free access

Unraveling the Madison News Reel: An Unlikely Convergence of Collage, Industrial, and Local Film

Sean Savage
pp. 61-77
DOI: https://doi.org/10.1353/mov.0.0019
restricted access

Joint Technical Symposium 2007: Audiovisual Heritage and the Digital Universe, University of Toronto, June 28–30, 2007

Kara Van Malssen
pp. 78-86
DOI: https://doi.org/10.1353/mov.0.0021
restricted access

Digital Asset Symposium: Museum of Modern Art, New York City, April 25, 2008

David Gibson
pp. 86-89
DOI: https://doi.org/10.1353/mov.0.0023
restricted access

Scenes of Instruction: The Beginnings of the U.S. Study of Film (review)

Haden Guest
pp. 90-92
DOI: https://doi.org/10.1353/mov.0.0012
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EAI Online Resource Guide for Exhibiting, Collecting & Preserving Media Art (review)

Steve Polta
pp. 92-94
DOI: https://doi.org/10.1353/mov.0.0014
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Phantom (1922) (review)

Paul Dobryden
pp. 95-98
DOI: https://doi.org/10.1353/mov.0.0016
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Don’t Change Your Husband with The Golden Chance , and Why Change Your Wife? with Miss Lulu Bett (review)

Laura Horak
pp. 98-102
DOI: https://doi.org/10.1353/mov.0.0018
restricted access

The Virgin Spring (review)

Arne Lunde
pp. 102-104
DOI: https://doi.org/10.1353/mov.0.0020
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Treasures III: Social Issues in American Film, 1900–1934 (review)

Daisuke Miyao
pp. 105-108
DOI: https://doi.org/10.1353/mov.0.0022
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Editor’s Foreword

Karen F. Gracy
pp. vi-xi
DOI: https://doi.org/10.1353/mov.0.0013
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Digital Decay

Charlotte Crofts
pp. xiii-35
DOI: https://doi.org/10.1353/mov.0.0015
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Contributors

pp. 109-110
DOI: https://doi.org/10.1353/mov.0.0011
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