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In this Issue

Table of Contents

  1. Transnational Chowtal: Bhojpuri Folk Song from North India to the Caribbean, Fiji, and Beyond
  2. Peter Manuel
  3. pp. 1-32
  4. DOI: https://doi.org/10.1353/amu.0.0025
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  1. Tales and Fables of the Chang (Harp) in Darvish Ali’s Risalei Musiqi
  2. Sławomira Żerańska-Kominek
  3. pp. 33-51
  4. DOI: https://doi.org/10.1353/amu.0.0028
  5. restricted access
  1. Synthesizing Identity: Gestures of Filiation and Affiliation in Turkish Popular Music
  2. Songül Karahasanoğlu, Gabriel Skoog
  3. pp. 52-71
  4. DOI: https://doi.org/10.1353/amu.0.0031
  5. restricted access
  1. Minstrelsy and Mimesis in the South China Sea: Filipino Migrant Musicians, Chinese Hosts, and the Disciplining of Relations in Hong Kong
  2. Lee Watkins
  3. pp. 72-99
  4. DOI: https://doi.org/10.1353/amu.0.0034
  5. restricted access
  1. The Production of Aura in the Gramophone Age of the “Live” Performance
  2. Dard Neuman
  3. pp. 100-123
  4. DOI: https://doi.org/10.1353/amu.0.0037
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  1. Book Reviews
  3. p. 124
  4. DOI: https://doi.org/10.1353/amu.0.0040
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  1. Music in Ancient Israel/Palestine: Archaeological, Written, and Comparative Sources (review)
  2. Tina Frühauf
  3. pp. 124-129
  4. DOI: https://doi.org/10.1353/amu.0.0024
  5. restricted access
  1. “The Lachmann Problem”: An Unsung Chapter in Comparative Musicology [Be àyat Lakhman: Perek àlum be-musikologyah hashvaatit, kolel mikhtavim ve-hartsaot shel Robert Lakhman she-terem pursemu] (review)
  2. Tina Frühauf
  3. pp. 129-133
  4. DOI: https://doi.org/10.1353/amu.0.0027
  5. restricted access
  1. The Philosophy of Music by Abu Nasr Muhammad al-Farabi (review)
  2. Inna Naroditskaya
  3. pp. 133-137
  4. DOI: https://doi.org/10.1353/amu.0.0030
  5. restricted access
  1. Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali (review)
  2. Andrew C. McGraw
  3. pp. 137-140
  4. DOI: https://doi.org/10.1353/amu.0.0033
  5. restricted access
  1. Beyond Exoticism: Western Music and the World (review)
  2. Andrew C. McGraw
  3. pp. 140-142
  4. DOI: https://doi.org/10.1353/amu.0.0036
  5. restricted access
  1. The Courtesan’s Arts: Cross-Cultural Perspectives (review)
  2. Sean Williams
  3. pp. 143-145
  4. DOI: https://doi.org/10.1353/amu.0.0039
  5. restricted access
  1. Speak It Louder: Asian Americans Making Music (review)
  2. Eric Hung
  3. pp. 145-152
  4. DOI: https://doi.org/10.1353/amu.0.0023
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  1. D’Bhuyaa saaj: Live in India (review)
  2. Peter Manuel
  3. pp. 153-154
  4. DOI: https://doi.org/10.1353/amu.0.0026
  5. restricted access
  1. El Tarab El Aseel by Riad Abdel Gawad (review)
  2. Lisa Urkevich
  3. pp. 154-156
  4. DOI: https://doi.org/10.1353/amu.0.0029
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  1. Iran: Le dotār du Khorassan, featuring Hamid Khezri (review)
  2. Ameneh Youssefzadeh
  3. pp. 156-160
  4. DOI: https://doi.org/10.1353/amu.0.0032
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  1. Drumming Out a Message: Eisa and the Okinawan Diaspora (review)
  2. Ricardo D. Trimillos
  3. pp. 161-165
  4. DOI: https://doi.org/10.1353/amu.0.0035
  5. restricted access
  1. About the Contributors
  3. pp. 166-168
  4. DOI: https://doi.org/10.1353/amu.0.0038
  5. restricted access