1. Roman World, Egyptian Earth: Cognitive Difference and Empire in Shakespeare’s Antony and Cleopatra
  2. Mary Thomas Crane
  3. pp. 1-17
  4. DOI: 10.1353/cdr.0.0041
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  1. From Saint Genesius to Kean: Actors, Martyrs, and Metatheater
  2. Mary Ann Frese Witt
  3. pp. 19-44
  4. DOI: 10.1353/cdr.0.0044
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  1. Dumb Reading: The Noise of the Mute in Jonson’s Epicene
  2. Adrian Curtin
  3. pp. 45-62
  4. DOI: 10.1353/cdr.0.0047
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  1. “Whom seek ye, sirs?”: The Logic of Searching in the York Herod and the Magi
  2. Nicole R. Rice
  3. pp. 89-112
  4. DOI: 10.1353/cdr.0.0051
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  1. Urban Theatre in the Low Countries: 1400–1625 (review)
  2. M. M. Browne
  3. pp. 113-116
  4. DOI: 10.1353/cdr.0.0053
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  1. Brecht at the Opera (review)
  2. Michael Ewans
  3. pp. 116-118
  4. DOI: 10.1353/cdr.0.0040
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  1. Laughing Matters: Farce and the Making of Absolutism in France (review)
  2. Aurélie C. Capron
  3. pp. 118-120
  4. DOI: 10.1353/cdr.0.0043
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  1. Theatre Censorship: From Walpole to Wilson (review)
  2. Robert Justin Goldstein
  3. pp. 120-122
  4. DOI: 10.1353/cdr.0.0046
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  1. Generating Theatre Meaning: A Theory and Methodology of Performance Analysis (review)
  2. Erika Fischer-Lichte
  3. pp. 123-126
  4. DOI: 10.1353/cdr.0.0048
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  1. The Staging of Romance in Late Shakespeare: Text and Theatrical Technique (review)
  2. Tom Bishop
  3. pp. 126-129
  4. DOI: 10.1353/cdr.0.0050
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  1. Everyman and Its Dutch Original, Elckerlijc (review)
  2. Elsa Strietman
  3. pp. 129-133
  4. DOI: 10.1353/cdr.0.0052
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  1. Brief Notices
  2. pp. 137-140
  3. DOI: 10.1353/cdr.0.0042
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  1. Shakespeare’s Practical Jokes: An Introduction to the Comic in His Works (review)
  2. Pamela Allen Brown
  3. pp. 133-136
  4. DOI: 10.1353/cdr.0.0039
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  1. Contributors
  2. p. 141
  3. DOI: 10.1353/cdr.0.0045
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