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Table of Contents

  1. Jacob and Esau and the Iconoclasm of Merit
  2. John E. Curran Jr.
  3. pp. 285-309
  4. DOI: https://doi.org/10.1353/sel.0.0057
  5. restricted access
  1. Allusion and Sacrifice in Titus Andronicus
  2. Danielle A. St. Hilaire
  3. pp. 311-331
  4. DOI: https://doi.org/10.1353/sel.0.0055
  5. restricted access
  1. Making “Young Hamlet”
  2. Matthew Harkins
  3. pp. 333-354
  4. DOI: https://doi.org/10.1353/sel.0.0053
  5. restricted access
  1. Music and the Crisis of Meaning in Othello
  2. Erin Minear
  3. pp. 355-370
  4. DOI: https://doi.org/10.1353/sel.0.0058
  5. restricted access
  1. The Malignant Scapegoats of King Lear
  2. Derek Cohen
  3. pp. 371-389
  4. DOI: https://doi.org/10.1353/sel.0.0059
  5. restricted access
  1. Thomas Heywood in the House of the Wise-woman
  2. Daniel R. Gibbons
  3. pp. 391-416
  4. DOI: https://doi.org/10.1353/sel.0.0060
  5. restricted access
  1. The Roaring Girl’s London Spaces
  2. Kelly J. Stage
  3. pp. 417-436
  4. DOI: https://doi.org/10.1353/sel.0.0061
  5. restricted access
  1. Dramatic Nostalgia and Spectacular Conversion in Dekker and Massinger’s The Virgin Martyr
  2. Holly Crawford Pickett
  3. pp. 437-462
  4. DOI: https://doi.org/10.1353/sel.0.0056
  5. restricted access
  1. Staging the Jesuitess in A Game at Chess
  2. Caroline Bicks
  3. pp. 463-484
  4. DOI: https://doi.org/10.1353/sel.0.0054
  5. restricted access
  1. Recent Studies in Tudor and Stuart Drama
  2. Paul Whitfield White
  3. pp. 485-543
  4. DOI: https://doi.org/10.1353/sel.0.0052
  5. restricted access