1. Unnumbered Polypi
  2. Richard Maxwell
  3. pp. 7-23
  4. DOI: 10.1353/vp.0.0043
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  1. Tennyson and the Ladies
  2. Linda H. Peterson
  3. pp. 25-43
  4. DOI: 10.1353/vp.0.0040
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  1. Getting It Wrong in “The Lady of Shalott”
  2. Erik Gray
  3. pp. 45-59
  4. DOI: 10.1353/vp.0.0054
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  1. Tennyson and the Embodied Mind
  2. Gregory Tate
  3. pp. 61-80
  4. DOI: 10.1353/vp.0.0051
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  1. Tennyson and Zeno: Three Infinities
  2. W. David Shaw
  3. pp. 81-99
  4. DOI: 10.1353/vp.0.0048
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  1. Eight Reflections of Tennyson’s “Ulysses”
  2. James Nohrnberg
  3. pp. 101-150
  4. DOI: 10.1353/vp.0.0050
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  1. The Breathing Space of Ballad: Tennyson’s Stillborn Poetics
  2. D. B. Ruderman
  3. pp. 151-171
  4. DOI: 10.1353/vp.0.0053
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  1. Calculating Loss in Tennyson’s In Memoriam
  2. Irene Hsiao
  3. pp. 173-196
  4. DOI: 10.1353/vp.0.0039
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  1. What the Laureate Did Next: Maud
  2. Timothy Peltason
  3. pp. 197-219
  4. DOI: 10.1353/vp.0.0042
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  1. “Who knows if he be dead?”: Maud, Signification, and the Madhouse Canto
  2. Anne C. McCarthy
  3. pp. 221-239
  4. DOI: 10.1353/vp.0.0045
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  1. An Adventure in Modern Marriage: Domestic Development in Tennyson’s Geraint and Enid and The Marriage of Geraint
  2. Ingrid Ranum
  3. pp. 241-257
  4. DOI: 10.1353/vp.0.0047
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  1. The Contemporaneity of The Last Tournament
  2. Robert L. Patten
  3. pp. 259-283
  4. DOI: 10.1353/vp.0.0049
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  1. Tennyson’s Catholic Years: A Point of Contact
  2. Dennis Taylor
  3. pp. 285-312
  4. DOI: 10.1353/vp.0.0052
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  1. Delirious Bulldogs and Nasty Crockery: Tennyson as Nonsense Poet
  2. Anna Barton
  3. pp. 313-330
  4. DOI: 10.1353/vp.0.0038
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  1. Epistolary Tennyson: The Art of Suspension
  2. William H. Pritchard
  3. pp. 331-347
  4. DOI: 10.1353/vp.0.0041
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  1. Guest Editor’s Foreword
  2. Herbert F. Tucker
  3. pp. 1-6
  4. DOI: 10.1353/vp.0.0046
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  1. Contributors
  2. pp. 349-351
  3. DOI: 10.1353/vp.0.0044
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