1. Pound Among the Nightingales — From the Troubadours to a Cantible Modernism
  2. Robert Stark
  3. pp. 1-19
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  1. Making Modern Poetry: Format, Genre and the Invention of Imagism(e)
  2. Bartholomew Brinkman
  3. pp. 20-40
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  1. “How autocratic our country is becoming”: The Sentimental Poetess at War
  2. Melissa Girard
  3. pp. 41-64
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  1. Eliot’s Last Laugh: The Dissolution of Satire in The Waste Land
  2. Robert S. Lehman
  3. pp. 65-79
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  1. The Artist’s Tragic Flight: Yeats’s Portrayal of Major Robert Gregory
  2. Edward D. Pickering
  3. pp. 80-99
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  1. Blue Order: Wallace Stevens’s Jazz Experiments
  2. Corey M. Taylor
  3. pp. 100-117
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  1. Ezra Pound and Otto Kahn
  2. Barry Ahearn
  3. pp. 118-132
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  1. In the Driver’s Seat: Muriel Spark’s Editorship of the Poetry Review
  2. Susan Sheridan
  3. pp. 133-142
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  1. Stumbling into Crossfire: William Carlos Williams, Partisan Review, and the Left in the 1930s
  2. Milton A. Cohen
  3. pp. 143-158
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  1. Post-Language Poetries and Post-Ableist Poetics
  2. Patrick F. Durgin
  3. pp. 159-184
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  1. Modernisms and Medievalisms, Old and New
  2. Damien Keane
  3. pp. 185-192
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  1. Notes on Contributors
  2. pp. 193-195
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