In this Issue
For more than thirty years, Philosophy and Literature has explored the dialogue between literary and philosophical studies. The journal offers fresh, stimulating ideas in the aesthetics of literature, theory of criticism, philosophical interpretation of literature, and literary treatment of philosophy. Philosophy and Literature challenges the cant and pretensions of academic priesthoods through its assortment of lively, wide-ranging essays, notes, and reviews that are written in clear, jargon-free prose.
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Volume 33, Number 1, April 2009Table of Contents
- Reflections on Benjamin Button
- pp. 1-17
- DOI: 10.1353/phl.0.0040
- Comic Romance
- pp. 18-35
- DOI: 10.1353/phl.0.0034
- Appreciating Susan Sontag
- pp. 36-49
- DOI: 10.1353/phl.0.0043
- The Art and Philosophy of George Eliot
- pp. 73-90
- DOI: 10.1353/phl.0.0037
- Bioshock and the Art of Rapture
- pp. 91-106
- DOI: 10.1353/phl.0.0046
- The Gray Zone
- pp. 150-166
- DOI: 10.1353/phl.0.0045
- Prufrock's Question and Roquentin's Answer
- pp. 184-192
- DOI: 10.1353/phl.0.0041
- Why Pornography Can't Be Art
- pp. 193-203
- DOI: 10.1353/phl.0.0036
- Art and Selection
- pp. 204-220
- DOI: 10.1353/phl.0.0038
- Philosophy of Literature (review)
- pp. 224-227
- DOI: 10.1353/phl.0.0032
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Copyright © 2008 The Johns Hopkins University Press.