1. Raising the Wind
  2. Sean Latham
  3. pp. 203-207
  4. DOI: 10.1353/jjq.0.0050
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  1. “Too full for words”: A Reflection on the XXIst International James Joyce Symposium in Tours, France, 15–20 June 2008
  2. Jasmine Lellock
  3. pp. 209-212
  4. DOI: 10.1353/jjq.0.0051
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  1. Jetés et Tours en l’air: A Report on the XXIst International James Joyce Symposium, Tours, France, 15–20 June 2008
  2. Eleni Loukopoulou
  3. pp. 212-216
  4. DOI: 10.1353/jjq.0.0052
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  1. “Vigo Goes Viconian”: A Report on the Nineteenth Conference of the Spanish James Joyce Society, Vigo, Spain, 11–12 April 2008
  2. Vanessa Silva Fernández
  3. pp. 216-220
  4. DOI: 10.1353/jjq.0.0053
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  1. “The Esthetic Instinct in Action”: Charles Darwin and Mental Science in A Portrait of the Artist as a Young Man
  2. Sandra Tropp
  3. pp. 221-244
  4. DOI: 10.1353/jjq.0.0054
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  1. “The Index Nothing Affirmeth”: The Semiotic Formation of a Literary Mandate in James Joyce’s “The Sisters”
  2. Murray McArthur
  3. pp. 245-262
  4. DOI: 10.1353/jjq.0.0055
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  1. The Jew’s Text: “Shem The Penman” and “Shaun The Post”
  2. Maren Linett
  3. pp. 263-280
  4. DOI: 10.1353/jjq.0.0056
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  1. Madame Blavatsky and Theosophy in Finnegans Wake: An Annotated List
  2. Len Platt
  3. pp. 281-300
  4. DOI: 10.1353/jjq.0.0057
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  1. “Scribbled Words”: The Usage of the Ulysses Notebooks in “Proteus” and “Aeolus”
  2. Eli Z. Lassman
  3. pp. 301-322
  4. DOI: 10.1353/jjq.0.0058
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  1. Current JJ Checklist (103)
  2. William S. Brockman
  3. pp. 323-338
  4. DOI: 10.1353/jjq.0.0059
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  1. Padraic Colum’s “James Joyce as a Young Man”
  2. James P. Sullivan
  3. pp. 339-347
  4. DOI: 10.1353/jjq.0.0060
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  1. “They Like it Because No-one Can Hear”: A Derridean Reading of Joyce’s Floral Language in “Lotus Eaters”
  2. Hsin-yu Hung
  3. pp. 348-356
  4. DOI: 10.1353/jjq.0.0061
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  1. Cerf’s Up!
  2. Simon Loekle
  3. p. 357
  4. DOI: 10.1353/jjq.0.0062
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  1. Reading the Modernist Bildungsroman (review)
  2. John Paul Riquelme
  3. pp. 359-362
  4. DOI: 10.1353/jjq.0.0072
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  1. Joyce and Company (review)
  2. Victor Luftig
  3. pp. 363-365
  4. DOI: 10.1353/jjq.0.0067
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  1. Ulyssean Close-Ups (review)
  2. Valérie Bénéjam
  3. pp. 366-369
  4. DOI: 10.1353/jjq.0.0063
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  1. Joyce und Menippos: “A Portrait of the Artist as an Old Dog” (review)
  2. Geert Lernout
  3. pp. 369-372
  4. DOI: 10.1353/jjq.0.0066
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  1. Dirt for Art’s Sake: Books on Trial from “Madame Bovary” to “Lolita” (review)
  2. Gregg Mayer
  3. pp. 372-374
  4. DOI: 10.1353/jjq.0.0068
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  1. Relations: Ethics and the Modernist Subject in James Joyce’s “Ulysses,” Virginia Woolf’s “The Waves,” and Djuna Barnes’s “Nightwood” (review)
  2. Erin Hollis
  3. pp. 375-376
  4. DOI: 10.1353/jjq.0.0064
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  1. The Religion of Art: A Modernist Theme in British Literature, 1885–1925 (review)
  2. Christopher Whalen
  3. pp. 377-379
  4. DOI: 10.1353/jjq.0.0073
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  1. The Cambridge Companion to the Irish Novel (review)
  2. Emer Nolan
  3. pp. 379-382
  4. DOI: 10.1353/jjq.0.0071
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  1. The Rhetoric of Modernist Fiction (review)
  2. John McIntyre
  3. pp. 383-385
  4. DOI: 10.1353/jjq.0.0069
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  1. The Scallop of Saint James: An Old Pilgrim’s Hoard. Reading Joyce from the Peripheries (review)
  2. Alberto Lázaro
  3. pp. 385-388
  4. DOI: 10.1353/jjq.0.0065
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  1. James Joyce’s Dublin: A Topographical Guide to the Dublin of “Ulysses,” and: A Joycean Scrapbook from the National Library of Ireland (review)
  2. Robert Nicholson
  3. pp. 389-392
  4. DOI: 10.1353/jjq.0.0070
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  1. Letters
  2. Alan Grant
  3. p. 393
  4. DOI: 10.1353/jjq.0.0074
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  1. Contributors
  3. pp. 395-397
  4. DOI: 10.1353/jjq.0.0075
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