In this Issue

Table of Contents

Raising the Wind

Sean Latham
pp. 203-207
DOI: https://doi.org/10.1353/jjq.0.0050
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“Too full for words”: A Reflection on the XXIst International James Joyce Symposium in Tours, France, 15–20 June 2008

Jasmine Lellock
pp. 209-212
DOI: https://doi.org/10.1353/jjq.0.0051
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Jetés et Tours en l’air: A Report on the XXIst International James Joyce Symposium, Tours, France, 15–20 June 2008

Eleni Loukopoulou
pp. 212-216
DOI: https://doi.org/10.1353/jjq.0.0052
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“Vigo Goes Viconian”: A Report on the Nineteenth Conference of the Spanish James Joyce Society, Vigo, Spain, 11–12 April 2008

Vanessa Silva Fernández
pp. 216-220
DOI: https://doi.org/10.1353/jjq.0.0053
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“The Esthetic Instinct in Action”: Charles Darwin and Mental Science in A Portrait of the Artist as a Young Man

Sandra Tropp
pp. 221-244
DOI: https://doi.org/10.1353/jjq.0.0054
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“The Index Nothing Affirmeth”: The Semiotic Formation of a Literary Mandate in James Joyce’s “The Sisters”

Murray McArthur
pp. 245-262
DOI: https://doi.org/10.1353/jjq.0.0055
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The Jew’s Text: “Shem The Penman” and “Shaun The Post”

Maren Linett
pp. 263-280
DOI: https://doi.org/10.1353/jjq.0.0056
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Madame Blavatsky and Theosophy in Finnegans Wake: An Annotated List

Len Platt
pp. 281-300
DOI: https://doi.org/10.1353/jjq.0.0057
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“Scribbled Words”: The Usage of the Ulysses Notebooks in “Proteus” and “Aeolus”

Eli Z. Lassman
pp. 301-322
DOI: https://doi.org/10.1353/jjq.0.0058
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Current JJ Checklist (103)

William S. Brockman
pp. 323-338
DOI: https://doi.org/10.1353/jjq.0.0059
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Padraic Colum’s “James Joyce as a Young Man”

James P. Sullivan
pp. 339-347
DOI: https://doi.org/10.1353/jjq.0.0060
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“They Like it Because No-one Can Hear”: A Derridean Reading of Joyce’s Floral Language in “Lotus Eaters”

Hsin-yu Hung
pp. 348-356
DOI: https://doi.org/10.1353/jjq.0.0061
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Cerf’s Up!

Simon Loekle
p. 357
DOI: https://doi.org/10.1353/jjq.0.0062
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Reading the Modernist Bildungsroman (review)

John Paul Riquelme
pp. 359-362
DOI: https://doi.org/10.1353/jjq.0.0072
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Joyce and Company (review)

Victor Luftig
pp. 363-365
DOI: https://doi.org/10.1353/jjq.0.0067
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Ulyssean Close-Ups (review)

Valérie Bénéjam
pp. 366-369
DOI: https://doi.org/10.1353/jjq.0.0063
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Joyce und Menippos: “A Portrait of the Artist as an Old Dog” (review)

Geert Lernout
pp. 369-372
DOI: https://doi.org/10.1353/jjq.0.0066
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Dirt for Art’s Sake: Books on Trial from “Madame Bovary” to “Lolita” (review)

Gregg Mayer
pp. 372-374
DOI: https://doi.org/10.1353/jjq.0.0068
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Relations: Ethics and the Modernist Subject in James Joyce’s “Ulysses,” Virginia Woolf’s “The Waves,” and Djuna Barnes’s “Nightwood” (review)

Erin Hollis
pp. 375-376
DOI: https://doi.org/10.1353/jjq.0.0064
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The Religion of Art: A Modernist Theme in British Literature, 1885–1925 (review)

Christopher Whalen
pp. 377-379
DOI: https://doi.org/10.1353/jjq.0.0073
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The Cambridge Companion to the Irish Novel (review)

Emer Nolan
pp. 379-382
DOI: https://doi.org/10.1353/jjq.0.0071
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The Rhetoric of Modernist Fiction (review)

John McIntyre
pp. 383-385
DOI: https://doi.org/10.1353/jjq.0.0069
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The Scallop of Saint James: An Old Pilgrim’s Hoard. Reading Joyce from the Peripheries (review)

Alberto Lázaro
pp. 385-388
DOI: https://doi.org/10.1353/jjq.0.0065
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James Joyce’s Dublin: A Topographical Guide to the Dublin of “Ulysses,” and: A Joycean Scrapbook from the National Library of Ireland (review)

Robert Nicholson
pp. 389-392
DOI: https://doi.org/10.1353/jjq.0.0070
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Letters

Alan Grant
p. 393
DOI: https://doi.org/10.1353/jjq.0.0074
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Contributors

pp. 395-397
DOI: https://doi.org/10.1353/jjq.0.0075
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