In this Issue

Table of Contents

A Neglected Anthology of Sacred Vocal Music Dating from the Sixteenth Century

Richard Charteris
pp. 1-34
restricted access

Manuscript Publishing in the Commonwealth Period: A Neglected Source of Consort Music by Golding and Locke

Alan Howard
pp. 35-67
restricted access

Fauxbourdon in the Seventeenth and Eighteenth Centuries: ‘Le secours d’une douce harmonie’

Deborah Kauffman
pp. 68-93
restricted access

Tuning in and Dropping Out: The Disturbance of the Dutch Premiere of Stockhausen’s Stimmung

Robert Adlington
pp. 94-112
restricted access

Beyond the Soundtrack: Representing Music in Cinema (review)

Annette Davison
pp. 113-116
restricted access

Performing Democracy: Bulgarian Music and Musicians in Transition (review)

Jim Samson
pp. 116-118
restricted access

The Music of Mauricio Kagel (review)

Alastair Williams
pp. 118-120
restricted access

Living Electronic Music (review)

Michael Clarke
pp. 120-123
restricted access

Other Planets: The Music of Karlheinz Stockhausen (review)

Björn Heile
pp. 123-126
restricted access

Russian Music and Nationalism from Glinka to Stalin (review)

Pauline Fairclough
pp. 126-129
restricted access

The Puccini Problem: Opera, Nationalism, and Modernity (review)

Helen Greenwald
pp. 129-131
restricted access

Elgar the Music Maker (review)

J. P. E. Harper-Scott
pp. 131-133
restricted access

Fashionable Acts: Opera and Elite Culture in London, 1780–1880 (review)

Alexandra Wilson
pp. 133-135
restricted access

Nadia Boulanger et Lili Boulanger: Témoignages et études (review)

Caroline Potter
pp. 135-137
restricted access

Pentatonicism from the Eighteenth Century to Debussy (review)

Raymond Monelle
pp. 137-138
restricted access

Ohr und Auge — Klang und Form: Facetten einer musikästhetischen Dichotomie bei Johann Gottfried Herder, Richard Wagner und Franz Schreker (review)

Christopher Morris
pp. 138-141
restricted access

Richard Wagner’s Zurich: The Muse of Place (review)

Nicholas Vazsonyi
pp. 141-143
restricted access

Směleji a rozhodněji za českou hudbu! ‘Společenské vědomí’ české hudební kultury 1945–1969 v zrcadle dobové hudební publicistiky (review)

John Tyrrell
pp. 143-147
restricted access

Anton von Webern (review)

Arnold Whittall
pp. 147-148
restricted access

Invention musicale et idéologies 2: Mutations historiques et lectures critiques de la modernité (review)

Arnold Whittall
pp. 148-150
restricted access

The Memetics of Music: A Neo-Darwinian View of Musical Structure and Culture (review)

Daniel Leech-Wilkinson
pp. 150-153
restricted access

Layers of Musical Meaning (review)

Anthony Gritten
pp. 153-156
restricted access

Diagnosing Genius: The Life and Death of Beethoven (review)

Barry Cooper
pp. 156-158
restricted access

W. A. Mozart (review)

Simon P. Keefe
pp. 158-160
restricted access

A Briefe and Short Instruction of the Art of Musicke by Elway Bevin (review)

Peter Hauge
pp. 160-162
restricted access

La Librería de Canto de Órgano: Creación y pervivencia del repertorio del Renacimiento en la actividad musical de la catedral de Sevilla (review)

Tess Knighton
pp. 162-166
restricted access

Shaping a Monastic Identity: Liturgy and History at the Imperial Abbey of Farfa, 1000–1125 (review)

Emma Hornby
pp. 166-168
restricted access

Studies in Bibliography: Papers of the Bibliographical Society of the University of Virginia (review)

Peter Ward Jones
pp. 168-169
restricted access

To the Editors of ‘Music & Letters’

Wieland Hoban
pp. 170-171
restricted access

‘Music & Letters’ Awards

p. 173
restricted access

Authors of Articles in this Issue

p. 173
restricted access

Books Received

pp. 174-175
restricted access