In this Issue

Table of Contents

A Note from the Guest Editors: Idea and Image in Schoenberg’s Moses und Aron

Elliott Gyger, Alexander Rehding
pp. 369-372
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Schoenberg as Moses and Aron

Joseph Auner
pp. 373-384
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Schoenberg, Numerology, and Moses und Aron

Ethan Haimo
pp. 385-394
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Moses’s Beginning

Alexander Rehding
pp. 395-417
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Speech, Song, and Silence: Modes of Utterance in Moses und Aron

Elliott Gyger
pp. 418-440
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Butchering Moses

Daniel Albright
pp. 441-454
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The Dialectics of Nerves and Muscles: Schoenberg’s Moses as the New Jew

Eric Zakim
pp. 455-477
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Reviews

Scholarship

The Cambridge Companion to Twentieth-Century Opera (review)

W. Anthony Sheppard
pp. 478-485
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Performance

Die Gezeichneten (review)

Peter Franklin
pp. 486-495
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Der zerbrochene Krug and Alexander Zemlinsky: Der Zwerg (review)

Kenneth Reinhard
pp. 496-503
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Julie (review)

Laura Tunbridge
pp. 504-511
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