1. A Note from the Guest Editors: Idea and Image in Schoenberg’s Moses und Aron
  2. Elliott Gyger, Alexander Rehding
  3. pp. 369-372
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  1. Schoenberg as Moses and Aron
  2. Joseph Auner
  3. pp. 373-384
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  1. Schoenberg, Numerology, and Moses und Aron
  2. Ethan Haimo
  3. pp. 385-394
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  1. Moses’s Beginning
  2. Alexander Rehding
  3. pp. 395-417
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  1. Speech, Song, and Silence: Modes of Utterance in Moses und Aron
  2. Elliott Gyger
  3. pp. 418-440
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  1. Butchering Moses
  2. Daniel Albright
  3. pp. 441-454
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  1. The Dialectics of Nerves and Muscles: Schoenberg’s Moses as the New Jew
  2. Eric Zakim
  3. pp. 455-477
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  1. The Cambridge Companion to Twentieth-Century Opera (review)
  2. W. Anthony Sheppard
  3. pp. 478-485
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  1. Die Gezeichneten (review)
  2. Peter Franklin
  3. pp. 486-495
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  1. Der zerbrochene Krug and Alexander Zemlinsky: Der Zwerg (review)
  2. Kenneth Reinhard
  3. pp. 496-503
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  1. Julie (review)
  2. Laura Tunbridge
  3. pp. 504-511
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