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Table of Contents

  1. Auto-portraits glanés et plaisirs partagés: Les Glaneurs et la glaneuse et Le Fabuleux Destin d'Amélie Poulain
  2. Mireille Rosello
  3. pp. 3-16
  4. DOI: https://doi.org/10.1353/esp.2010.0409
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  1. Cures for Midlife Trauma: Post-coïtum animal triste and Vénus beauté (institut)
  2. Joan M. West
  3. pp. 17-27
  4. DOI: https://doi.org/10.1353/esp.2010.0224
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  1. "Grrrls in the banlieue": Philippe Faucon's Samia and Fabrice Génestal's La Squale
  2. Carrie Tarr
  3. pp. 28-38
  4. DOI: https://doi.org/10.1353/esp.2010.0259
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  1. Claire Denis's "Post-colonial" Films and Desiring Bodies
  2. Susan Hayward
  3. pp. 39-49
  4. DOI: https://doi.org/10.1353/esp.2010.0293
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  1. "If I were a girl—and I am not": Cross-dressing in Alain Berliner's Ma vie en rose and Jean Renoir's La Grande Illusion
  2. Keith Reader
  3. pp. 50-59
  4. DOI: https://doi.org/10.1353/esp.2010.0327
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  1. "Les Rendez-vous d'Ariane": Chantal Akerman's La Captive
  2. Emma Wilson
  3. pp. 60-69
  4. DOI: https://doi.org/10.1353/esp.2010.0361
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  1. Catherine Breillat's Romance and the Female Spectator: From Dream-Work to Therapy
  2. Ruth A. Hottell, Lynsey Russell-Watts
  3. pp. 70-80
  4. DOI: https://doi.org/10.1353/esp.2010.0395
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  1. Transtitial Woman: New Representations of Women in Contemporary French Cinema
  2. Phil Powrie
  3. pp. 81-91
  4. DOI: https://doi.org/10.1353/esp.2010.0429
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  1. French Film: Texts and Contexts (review)
  2. Meaghan Emery
  3. p. 92
  4. DOI: https://doi.org/10.1353/esp.2010.0245
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  1. Women's Cinema: The Contested Screen (review)
  2. Sylvie Blum-Reid
  3. pp. 92-93
  4. DOI: https://doi.org/10.1353/esp.2010.0280
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  1. Studies in French Cinema. Vol.1, nos. 1 and 2 (2001) (review)
  2. Marja Warehime
  3. pp. 93-94
  4. DOI: https://doi.org/10.1353/esp.2010.0314
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  1. France on Film: Reflections on Popular French Cinema (review)
  2. Ginette Vincendeau
  3. pp. 94-95
  4. DOI: https://doi.org/10.1353/esp.2010.0348
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