1. Hybridity and Ethics in Chateaubriand's Atala
  2. Claudia Moscovici
  3. pp. 197-216
  4. DOI: 10.1353/ncf.2001.0017
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  1. Une Amitie litteraire: Chateaubriand et Dumas pere
  2. Fernande Bassan
  3. pp. 217-225
  4. DOI: 10.1353/ncf.2001.0002
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  1. "Une femme qui reve n'est pas tout a fait une femme": Lelia en rupture d'identite
  2. Evelyne Ender
  3. pp. 226-246
  4. DOI: 10.1353/ncf.2001.0006
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  1. "Ne m'appelez donc jamais femme auteur ": Deconstruction et refus du roman sentimental chez George Sand
  2. Dominique Laporte
  3. pp. 247-255
  4. DOI: 10.1353/ncf.2001.0015
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  1. Any Where Out of this Verse: Baudelaire's Prose Poetics and the Aesthetics of Transgression
  2. Anne Elizabeth Jamison
  3. pp. 256-286
  4. DOI: 10.1353/ncf.2001.0009
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  1. "Cette Blanche Agonie": Baudelaire, Mallarme and the Ice of Sound
  2. Amy Christine Billone
  3. pp. 287-301
  4. DOI: 10.1353/ncf.2001.0003
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  1. Mallarme and the Language of Ideas
  2. Heather Williams
  3. pp. 302-317
  4. DOI: 10.1353/ncf.2001.0028
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  1. Impressionnisme poetique chez Marie Krysinska: Esthetique de l'ambiguite et demarche feministe
  2. Florence Goulesque
  3. pp. 318-333
  4. DOI: 10.1353/ncf.2001.0008
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  1. Poignant Relations: Three Modern French Women (review)
  2. Mary Orr
  3. pp. 334-335
  4. DOI: 10.1353/ncf.2001.0019
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  1. Loiterature (review)
  2. Laurence M. Porter
  3. pp. 336-337
  4. DOI: 10.1353/ncf.2001.0021
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  1. Resonant Themes: Literature, History, and the Arts in Nineteenth- and Twentieth-Century Europe (review)
  2. Catharine Savage Brosman
  3. pp. 338-339
  4. DOI: 10.1353/ncf.2001.0005
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  1. Black Venus: Sexualized Savages, Primal Fears and Primitive Narratives in French (review)
  2. Chantal Kalisa
  3. pp. 340-341
  4. DOI: 10.1353/ncf.2001.0012
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  1. Eve's Proud Descendants: Four Women Writers and Republican Politics in Nineteenth-Century France (review)
  2. Dorothy Kelly
  3. pp. 341-343
  4. DOI: 10.1353/ncf.2001.0014
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  1. Poetry at Stake: Lyric Aesthetics and the Challenge of Technology (review)
  2. Maria L. Assad
  3. pp. 343-345
  4. DOI: 10.1353/ncf.2001.0001
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  1. Daumier: 1808-1879 (review)
  2. Charles Palermo
  3. pp. 345-346
  4. DOI: 10.1353/ncf.2001.0020
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  1. French Anti-Slavery: The Movement for the Abolition of Slavery in France, 1802-1848 (review)
  2. Doris Y. Kadish
  3. pp. 346-348
  4. DOI: 10.1353/ncf.2001.0011
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  1. James Tissot: Victorian Life/Modern Love (review)
  2. Jonathan P. Ribner
  3. pp. 348-350
  4. DOI: 10.1353/ncf.2001.0022
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  1. Theatre in Balzac's La Comedie humaine (review)
  2. Warren Johnson
  3. pp. 350-351
  4. DOI: 10.1353/ncf.2001.0010
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  1. Baudelaire's Prose Poems: The Practice and Politics of Irony (review)
  2. Edward K. Kaplan
  3. pp. 351-352
  4. DOI: 10.1353/ncf.2001.0013
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  1. Oeuvres completes (review)
  2. Marvin Richards
  3. pp. 353-354
  4. DOI: 10.1353/ncf.2001.0023
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  1. Le Papegai et le papelard dans "Un Coeur simple" de Gustave Flaubert (review)
  2. Peter Michael Wetherill
  3. pp. 354-356
  4. DOI: 10.1353/ncf.2001.0027
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  1. Maurice de Guerin et le romantisme (review)
  2. Michel Brix
  3. p. 357
  4. DOI: 10.1353/ncf.2001.0004
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  1. Victor Hugo (review)
  2. Stamos Metzidakis
  3. pp. 358-360
  4. DOI: 10.1353/ncf.2001.0016
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  1. Lettres (review)
  2. Patricia A. Ward
  3. pp. 361-362
  4. DOI: 10.1353/ncf.2001.0026
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  1. Le Mythe romantique de Merlin dans l'oeuvre d'Edgar Quinet (review)
  2. Simone Vierne
  3. pp. 362-364
  4. DOI: 10.1353/ncf.2001.0025
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  1. La Poesie de Sainte-Beuve: Un Imaginaire de l'echec (review)
  2. Roxana M. Verona
  3. pp. 364-366
  4. DOI: 10.1353/ncf.2001.0024
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  1. Gender in the Fiction of George Sand (review)
  2. Isabelle Hoog Naginski
  3. pp. 366-369
  4. DOI: 10.1353/ncf.2001.0018
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  1. The Artificial Self: The Psychology of Hippolyte Taine (review)
  2. Thomas H. Goetz
  3. pp. 370-371
  4. DOI: 10.1353/ncf.2001.0007
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  1. Abstracts
  3. pp. 372-375
  4. DOI: 10.1353/ncf.2001.0029
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