The Opera Quarterly

In this Issue

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A Note from the Guest Editors

Caryl Clark, Linda Hutcheon, Michael Hutcheon

pp. 145-150

Wagner and the Origin of Evil

Berthold Hoeckner

pp. 151-183

Götterdämmerung, Führerdämmerung?

Stephen McClatchie

pp. 184-198

Brünnhilde's Act

Slavoj Žižek

pp. 199-216

Primal Sounds

Marc A. Weiner

pp. 217-246

Nietzsche, Bizet, and Wagner: Illness, Health, and Race in the Nineteenth Century

Sander L. Gilman

pp. 247-264

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"Faithful, all too Faithful": Fidelity and Ring Stagings

Barry Millington

pp. 265-276

Wagner in Pieces: Opera, the Fragment, and Acoustic Totality

William Germano

pp. 277-294

Auditions

Sein oder Schein?: Paul Bekker's "Mirror Image" and the Ethical Voice of Humane Opera

Nanette Nielsen

pp. 295-310

To the Mirror Image

Paul Bekker, Martin Morgenstern, Nanette Nielsen, James Steichen

pp. 311-317

Notes from the Stage

Introduction to Zehelein

David J. Levin

pp. 318-320

The Stuttgart Ring, 1999–2000

Klaus Zehelein, James Steichen, David Levin

pp. 321-325

An Introduction to Michael Levine's Sketchbook Drawings for the Toronto Ring

Helmut Reichenbächer

pp. 326-329

Sketchbook Drawings by Michael Levine

Michael Levine

pp. 330-337

Introduction to Lars von Trier's "Deed of Conveyance"

Ryan Minor

pp. 338-340

Deed of Conveyance

Lars Von Trier

pp. 341-347

Reviews

Semantisierte Sinnlichkeit: Studien zu Rezeption und Zeichenstruktur der Leitmotivtechnik Richard Wagners (review)

Alexander Rehding

pp. 348-351

Totalität und Mitleid: Richard Wagner, Sergej Eisenstein und unsere ethisch-ästhetische Moderne, and: Klangdramaturgie: Studien zur theatralen Orchesterkomposition in Wagners "Ring des Nibelungen" (review)

Larson Powell

pp. 352-359

Wagner and the Art of the Theatre (review)

Thomas Grey

pp. 360-367

Note

p. 368

Previous Issue

Volume 23, Number 1, Winter 2007

Next Issue

Volume 23, Number 4, Autumn 2007

Additional Information
ISSN	1476-2870
Print ISSN	0736-0053
Launched on MUSE	2009-02-13
Open Access	No

The Opera Quarterly

In this Issue

Volume 23, Number 2-3, Spring-Summer 2007

published by

viewing issue

Table of Contents

A Note from the Guest Editors

Wagner and the Origin of Evil

Götterdämmerung, Führerdämmerung?

Brünnhilde's Act

Primal Sounds

Nietzsche, Bizet, and Wagner: Illness, Health, and Race in the Nineteenth Century

"Faithful, all too Faithful": Fidelity and Ring Stagings

Wagner in Pieces: Opera, the Fragment, and Acoustic Totality

Auditions

Sein oder Schein?: Paul Bekker's "Mirror Image" and the Ethical Voice of Humane Opera

To the Mirror Image

Notes from the Stage

Introduction to Zehelein

The Stuttgart Ring, 1999–2000

An Introduction to Michael Levine's Sketchbook Drawings for the Toronto Ring

Sketchbook Drawings by Michael Levine

Introduction to Lars von Trier's "Deed of Conveyance"

Deed of Conveyance

Reviews

Semantisierte Sinnlichkeit: Studien zu Rezeption und Zeichenstruktur der Leitmotivtechnik Richard Wagners (review)

Totalität und Mitleid: Richard Wagner, Sergej Eisenstein und unsere ethisch-ästhetische Moderne, and: Klangdramaturgie: Studien zur theatralen Orchesterkomposition in Wagners "Ring des Nibelungen" (review)

Wagner and the Art of the Theatre (review)

Note

Note

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