In this Issue

Table of Contents

Editorial

The Future of Leonardo Depends on You!

Jeffrey Babcock
p. 2
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Color Plates

Color Plates

pp. 5-9
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Artists' Articles

Patterns That Connect

Dawn Whitehand
pp. 10-15
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Without Visible Scars: Digital Art and the Memory of War

Lanfranco Aceti
pp. 16-26
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Intimate Distances: Mediating Mutuality, Contestation and Exchange between Bodies

Phillip Warnell
pp. 28-35
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General Articles

Campaigners for Camouflage: Abbott H. Thayer and William J. Dakin

Ann Elias
pp. 36-41
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Hindu Tree Veneration as a Mode of Environmental Encounter

Louise Fowler-Smith
pp. 43-51
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Fact and Fantasy in Nanotech Imagery

David S. Goodsell
pp. 52-57
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Scoring the Work: Documenting Practice and Performance in Variable Media Art

Corina MacDonald
pp. 59-63
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Theoretical Perspective

Kinetic Architectural Skins and the Computational Sublime

Jules Moloney
pp. 65-70
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Document

New Criteria for New Media

Jon Ippolito, Joline Blais, Owen F. Smith, Steve Evans, Nathan Stormer
pp. 71-75
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Leonardo Reviews

Flatland: The Movie Edition (review)

Rob Harle
pp. 77-78
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YLEM Journal: Artists Using Science & Technology (review)

Eugenia Fratzeskou
p. 78
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Charles Ives Reconsidered (review)

Katharina Blassnigg
pp. 78-80
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Philosophies of Nature after Schelling (review)

Eugene Thacker
pp. 80-81
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Riding the Waves: A Life in Sound, Science, and Industry (review)

Stefaan Van Ryssen
pp. 81-82
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Notes on the Underground, New Edition: An Essay on Technology, Society, and the Imagination (review)

Jan Baetens
pp. 82-83
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Picturing Space, Displacing Bodies: Anamorphosis in Early Modern Theories of Perspective (review)

Amy Ione
pp. 83-85
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The Cult of Statistical Significance (review)

Wilfred Niels Arnold
p. 85
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Topologies: The Urban Utopia in France, 1960–1970 (review)

Jennifer Ferng
pp. 85-86
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Frameworks, Artworks, Place: The Space of Perception in the Modern World (review)

Eugenia Fratzeskou
pp. 86-87
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Two Regimes of Madness: Texts and Interviews 1975–1995 (review)

Martha Blassnigg
pp. 87-88
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Leonardo Reviews On-Line

pp. 88-89
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Transactions

Harnessing the Enactive Knowledge of Musicians to Allow the Real-Time Performance of Correlated Music and Computer Graphics

Ilias Bergstrom, R. Beau Lotto
pp. 92-93
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Widening Unequal Tempered Microtonal Pitch Space for Metaphoric and Cognitive Purposes with New Prime Number Scales

Roger T. Dean
pp. 94-95
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Augmenting Creative Realities: The Second Life Performance Project

Kathryn Farley, Michael Nitsche, Jay Bolter, Blair MacIntyre
pp. 96-97
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Flow—: A Flowing Information Interactive Art

Yu-Chuan Tseng, Chia-Hsiang Lee, Ding-Ming Wang
pp. 98-99
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Leonardo Network News

Leonardo Network News

pp. 100-101
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Erratum

Erratum

p. 101
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Endnote

When Does Art Become Science and Science Art?

Y.A. Grillo
pp. 103-104
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