1. The Future of Leonardo Depends on You!
  2. Jeffrey Babcock
  3. p. 2
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  1. Color Plates
  2. pp. 5-9
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  1. Patterns That Connect
  2. Dawn Whitehand
  3. pp. 10-15
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  1. Without Visible Scars: Digital Art and the Memory of War
  2. Lanfranco Aceti
  3. pp. 16-26
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  1. Intimate Distances: Mediating Mutuality, Contestation and Exchange between Bodies
  2. Phillip Warnell
  3. pp. 28-35
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  1. Campaigners for Camouflage: Abbott H. Thayer and William J. Dakin
  2. Ann Elias
  3. pp. 36-41
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  1. Hindu Tree Veneration as a Mode of Environmental Encounter
  2. Louise Fowler-Smith
  3. pp. 43-51
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  1. Fact and Fantasy in Nanotech Imagery
  2. David S. Goodsell
  3. pp. 52-57
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  1. Scoring the Work: Documenting Practice and Performance in Variable Media Art
  2. Corina MacDonald
  3. pp. 59-63
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  1. Kinetic Architectural Skins and the Computational Sublime
  2. Jules Moloney
  3. pp. 65-70
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  1. New Criteria for New Media
  2. Jon Ippolito, Joline Blais, Owen F. Smith, Steve Evans, Nathan Stormer
  3. pp. 71-75
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  1. Flatland: The Movie Edition (review)
  2. Rob Harle
  3. pp. 77-78
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  1. YLEM Journal: Artists Using Science & Technology (review)
  2. Eugenia Fratzeskou
  3. p. 78
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  1. Charles Ives Reconsidered (review)
  2. Katharina Blassnigg
  3. pp. 78-80
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  1. Philosophies of Nature after Schelling (review)
  2. Eugene Thacker
  3. pp. 80-81
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  1. Riding the Waves: A Life in Sound, Science, and Industry (review)
  2. Stefaan Van Ryssen
  3. pp. 81-82
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  1. Notes on the Underground, New Edition: An Essay on Technology, Society, and the Imagination (review)
  2. Jan Baetens
  3. pp. 82-83
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  1. Picturing Space, Displacing Bodies: Anamorphosis in Early Modern Theories of Perspective (review)
  2. Amy Ione
  3. pp. 83-85
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  1. The Cult of Statistical Significance (review)
  2. Wilfred Niels Arnold
  3. p. 85
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  1. Topologies: The Urban Utopia in France, 1960–1970 (review)
  2. Jennifer Ferng
  3. pp. 85-86
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  1. Frameworks, Artworks, Place: The Space of Perception in the Modern World (review)
  2. Eugenia Fratzeskou
  3. pp. 86-87
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  1. Two Regimes of Madness: Texts and Interviews 1975–1995 (review)
  2. Martha Blassnigg
  3. pp. 87-88
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  1. Leonardo Reviews On-Line
  2. pp. 88-89
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  1. Harnessing the Enactive Knowledge of Musicians to Allow the Real-Time Performance of Correlated Music and Computer Graphics
  2. Ilias Bergstrom, R. Beau Lotto
  3. pp. 92-93
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  1. Widening Unequal Tempered Microtonal Pitch Space for Metaphoric and Cognitive Purposes with New Prime Number Scales
  2. Roger T. Dean
  3. pp. 94-95
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  1. Augmenting Creative Realities: The Second Life Performance Project
  2. Kathryn Farley, Michael Nitsche, Jay Bolter, Blair MacIntyre
  3. pp. 96-97
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  1. Flow—: A Flowing Information Interactive Art
  2. Yu-Chuan Tseng, Chia-Hsiang Lee, Ding-Ming Wang
  3. pp. 98-99
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  1. Leonardo Network News
  2. pp. 100-101
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  1. Erratum
  2. p. 101
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  1. When Does Art Become Science and Science Art?
  2. Y.A. Grillo
  3. pp. 103-104
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