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Table of Contents

  1. MLA-L at Twenty
  2. Richard Griscom
  3. pp. 433-463
  4. DOI: https://doi.org/10.1353/not.0.0146
  5. restricted access
  1. Are We on the Right Track?: Issues with LP Record Collections in U.S. Academic Libraries
  2. Andrea Imre, Elizabeth J. Cox
  3. pp. 475-486
  4. DOI: https://doi.org/10.1353/not.0.0116
  5. restricted access
  1. Notes for Notes
  3. pp. 487-488
  4. DOI: https://doi.org/10.1353/not.0.0123
  5. restricted access
  1. Chambonnières, A Thematic Catalogue: The Complete Works of Jacques Champion de Chambonnières (1601/02–1672) (review)
  2. Stuart Cheney
  3. pp. 489-491
  4. DOI: https://doi.org/10.1353/not.0.0130
  5. restricted access
  1. Maestros in America: Conductors in the 21st Century (review)
  2. Michael Mauskapf
  3. pp. 491-493
  4. DOI: https://doi.org/10.1353/not.0.0134
  5. restricted access
  1. A Conductor's Guide to Nineteenth-Century Choral-Orchestral Works (review)
  2. James Deffenbaugh
  3. pp. 493-495
  4. DOI: https://doi.org/10.1353/not.0.0137
  5. restricted access
  1. Uniform Titles for Music, and: Shelflisting Music: Guidelines for Use with the Library of Congress Classification: M (review)
  2. G. Dale Vargason
  3. pp. 495-497
  4. DOI: https://doi.org/10.1353/not.0.0111
  5. restricted access
  1. Inside the Recording Studio: Working with Callas, Rostropovich, Domingo and the Classical Elite (review)
  2. Richard LeSueur
  3. pp. 497-498
  4. DOI: https://doi.org/10.1353/not.0.0120
  5. restricted access
  1. Warrior, Courtier, Singer: Giulio Cesare Brancaccio and the Performance of Identity in the Late Renaissance (review)
  2. Laura Macy
  3. pp. 498-500
  4. DOI: https://doi.org/10.1353/not.0.0127
  5. restricted access
  1. Editing Music in Early Modern Germany (review)
  2. Susan Forscher Weiss
  3. pp. 500-503
  4. DOI: https://doi.org/10.1353/not.0.0125
  5. restricted access
  1. Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity (review)
  2. Bertil van Boer
  3. pp. 503-505
  4. DOI: https://doi.org/10.1353/not.0.0148
  5. restricted access
  1. Inside Beethoven's Quartets: History, Performance, Interpretation (review)
  2. Robin Wallace
  3. pp. 505-507
  4. DOI: https://doi.org/10.1353/not.0.0118
  5. restricted access
  1. Alban Berg and Hanna Fuchs: The Story of a Love in Letters (review)
  2. Bryan R. Simms
  3. pp. 507-510
  4. DOI: https://doi.org/10.1353/not.0.0141
  5. restricted access
  1. Peter Sculthorpe: The Making of an Australian Composer (review)
  2. Deborah Hayes
  3. pp. 510-512
  4. DOI: https://doi.org/10.1353/not.0.0113
  5. restricted access
  1. French Music, Culture, and National Identity, 1870–1939 (review)
  2. Brian Doherty
  3. pp. 512-515
  4. DOI: https://doi.org/10.1353/not.0.0143
  5. restricted access
  1. Keeping the Embers Alive: Musicians of Zimbabwe (review)
  2. Ron Emoff
  3. pp. 515-516
  4. DOI: https://doi.org/10.1353/not.0.0106
  5. restricted access
  1. Origins and Development of Musical Instruments (review)
  2. Susan Forscher Weiss
  3. pp. 516-518
  4. DOI: https://doi.org/10.1353/not.0.0132
  5. restricted access
  1. Books Recently Published
  2. Julia Graepel, Karen R. Little
  3. pp. 519-536
  4. DOI: https://doi.org/10.1353/not.0.0139
  5. restricted access
  1. New Periodicals
  2. Liza Vick
  3. pp. 537-542
  4. DOI: https://doi.org/10.1353/not.0.0145
  5. restricted access
  1. DRAM (review)
  2. Martin D. Jenkins
  3. pp. 543-546
  4. DOI: https://doi.org/10.1353/not.0.0108
  5. restricted access
  1. ARTstor (review)
  2. Eunice Schroeder
  3. pp. 546-549
  4. DOI: https://doi.org/10.1353/not.0.0122
  5. restricted access
  1. American Music Center, and: Counterstream Radio, and: Newmusicbox (review)
  2. Joan O'Connor
  3. pp. 549-551
  4. DOI: https://doi.org/10.1353/not.0.0115
  5. restricted access
  1. The Full Monteverdi (review)
  2. Alicia Doyle
  3. pp. 552-553
  4. DOI: https://doi.org/10.1353/not.0.0119
  5. restricted access
  1. Maskarade, and: La cambiale di matrimonio, and: La pietra del paragone (review)
  2. John Holland
  3. pp. 553-554
  4. DOI: https://doi.org/10.1353/not.0.0147
  5. restricted access
  1. Tchaikovsky (review)
  2. Michael Adams
  3. pp. 554-555
  4. DOI: https://doi.org/10.1353/not.0.0136
  5. restricted access
  1. Doktor Faust (review)
  2. Travis D. Stimeling
  3. pp. 555-556
  4. DOI: https://doi.org/10.1353/not.0.0131
  5. restricted access
  1. Jean Sibelius, 1865-1957, and: Itzhak Perlman: Virtuoso Violinist (review)
  2. Michael Adams
  3. pp. 556-557
  4. DOI: https://doi.org/10.1353/not.0.0129
  5. restricted access
  1. Stravinsky: Once at a Border (review)
  2. Joan O'Connor
  3. pp. 557-559
  4. DOI: https://doi.org/10.1353/not.0.0117
  5. restricted access
  1. Pierre Henry—The Art of Sounds, and: Olivier Messiaen—La liturgie de cristal (review)
  2. S. Andrew Granade
  3. pp. 559-561
  4. DOI: https://doi.org/10.1353/not.0.0133
  5. restricted access
  1. King Priam (review)
  2. Rob Haskins
  3. pp. 561-562
  4. DOI: https://doi.org/10.1353/not.0.0140
  5. restricted access
  1. Blue Note: A Story of Modern Jazz, and: Play Your Own Thing: A Story of Jazz in Europe (review)
  2. Larry Appelbaum
  3. pp. 563-564
  4. DOI: https://doi.org/10.1353/not.0.0142
  5. restricted access
  1. Joe Zawinul: A Musical Portrait (review)
  2. Michael Ashenfelder
  3. pp. 564-565
  4. DOI: https://doi.org/10.1353/not.0.0149
  5. restricted access
  1. Bill Monroe: The Father of Bluegrass Music (review)
  2. Randall Zwally
  3. pp. 565-566
  4. DOI: https://doi.org/10.1353/not.0.0112
  5. restricted access
  1. The "Reichsorchester": The Berlin Philharmonic and the Third Reich (review)
  2. Steve York
  3. pp. 566-567
  4. DOI: https://doi.org/10.1353/not.0.0144
  5. restricted access
  1. Notes interdites: scènes de la vie musicale en Russie soviétique (review)
  2. Joan O'Connor
  3. pp. 567-570
  4. DOI: https://doi.org/10.1353/not.0.0110
  5. restricted access
  1. Transcriptions (review)
  2. Steve York
  3. p. 570
  4. DOI: https://doi.org/10.1353/not.0.0138
  5. restricted access
  1. Gran Fanfare (review)
  2. Jim Farrington
  3. p. 571
  4. DOI: https://doi.org/10.1353/not.0.0126
  5. restricted access
  1. Howard Goodall's Big Bangs (review)
  2. Travis D. Stimeling
  3. pp. 571-572
  4. DOI: https://doi.org/10.1353/not.0.0124
  5. restricted access
  1. Monophonic Tropes and Conductus of W1: The Tenth Fascicle (review)
  2. Thomas B. Payne
  3. pp. 573-575
  4. DOI: https://doi.org/10.1353/not.0.0121
  5. restricted access
  1. Sinfonietta pro maly´ orchestr = for chamber orchestra (review)
  2. Byron Adams
  3. pp. 575-577
  4. DOI: https://doi.org/10.1353/not.0.0107
  5. restricted access
  1. Weimarer Orgeltabulatur: Die frühesten Notenhandschriften Johann Sebastian Bachs sowie Abschriften seines Schülers Johann Martin Schubart. Mit Werken von Dietrich Buxtehude, Johann Adam Reinken und Johann Pachelbel, and: Deutsche Orgel- und Claviermusik der Bach-Zeit: Werke in Erstausgaben = German Organ and Keyboard Music from Bach's Period: Collection of First Editions, and: 3ème symphonie, op. 28 (1911), and: Die grossen Partiten = The Large-scale Partitas (review)
  2. Peter Ward Jones
  3. pp. 577-581
  4. DOI: https://doi.org/10.1353/not.0.0114
  5. restricted access
  1. Music Publishers' Catalogs
  2. George R. Hill
  3. pp. 589-593
  4. DOI: https://doi.org/10.1353/not.0.0135
  5. restricted access
  1. Copyright and Historical Sound Recordings: Recent Efforts to Change U.S. Law
  2. Tim Brooks
  3. pp. 464-474
  4. DOI: https://doi.org/10.1353/not.0.0109
  5. restricted access
  1. Music Received
  2. David Knapp
  3. pp. 582-588
  4. DOI: https://doi.org/10.1353/not.0.0128
  5. restricted access