In this Issue

Table of Contents

MLA-L at Twenty

Richard Griscom
pp. 433-463
DOI: https://doi.org/10.1353/not.0.0146
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Are We on the Right Track?: Issues with LP Record Collections in U.S. Academic Libraries

Andrea Imre, Elizabeth J. Cox
pp. 475-486
DOI: https://doi.org/10.1353/not.0.0116
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Notes for Notes

pp. 487-488
DOI: https://doi.org/10.1353/not.0.0123
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Chambonnières, A Thematic Catalogue: The Complete Works of Jacques Champion de Chambonnières (1601/02–1672) (review)

Stuart Cheney
pp. 489-491
DOI: https://doi.org/10.1353/not.0.0130
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Maestros in America: Conductors in the 21st Century (review)

Michael Mauskapf
pp. 491-493
DOI: https://doi.org/10.1353/not.0.0134
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A Conductor's Guide to Nineteenth-Century Choral-Orchestral Works (review)

James Deffenbaugh
pp. 493-495
DOI: https://doi.org/10.1353/not.0.0137
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Uniform Titles for Music, and: Shelflisting Music: Guidelines for Use with the Library of Congress Classification: M (review)

G. Dale Vargason
pp. 495-497
DOI: https://doi.org/10.1353/not.0.0111
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Inside the Recording Studio: Working with Callas, Rostropovich, Domingo and the Classical Elite (review)

Richard LeSueur
pp. 497-498
DOI: https://doi.org/10.1353/not.0.0120
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Warrior, Courtier, Singer: Giulio Cesare Brancaccio and the Performance of Identity in the Late Renaissance (review)

Laura Macy
pp. 498-500
DOI: https://doi.org/10.1353/not.0.0127
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Editing Music in Early Modern Germany (review)

Susan Forscher Weiss
pp. 500-503
DOI: https://doi.org/10.1353/not.0.0125
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Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity (review)

Bertil van Boer
pp. 503-505
DOI: https://doi.org/10.1353/not.0.0148
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Inside Beethoven's Quartets: History, Performance, Interpretation (review)

Robin Wallace
pp. 505-507
DOI: https://doi.org/10.1353/not.0.0118
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Alban Berg and Hanna Fuchs: The Story of a Love in Letters (review)

Bryan R. Simms
pp. 507-510
DOI: https://doi.org/10.1353/not.0.0141
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Peter Sculthorpe: The Making of an Australian Composer (review)

Deborah Hayes
pp. 510-512
DOI: https://doi.org/10.1353/not.0.0113
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French Music, Culture, and National Identity, 1870–1939 (review)

Brian Doherty
pp. 512-515
DOI: https://doi.org/10.1353/not.0.0143
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Keeping the Embers Alive: Musicians of Zimbabwe (review)

Ron Emoff
pp. 515-516
DOI: https://doi.org/10.1353/not.0.0106
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Origins and Development of Musical Instruments (review)

Susan Forscher Weiss
pp. 516-518
DOI: https://doi.org/10.1353/not.0.0132
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Books Recently Published

Julia Graepel, Karen R. Little
pp. 519-536
DOI: https://doi.org/10.1353/not.0.0139
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New Periodicals

Liza Vick
pp. 537-542
DOI: https://doi.org/10.1353/not.0.0145
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DRAM (review)

Martin D. Jenkins
pp. 543-546
DOI: https://doi.org/10.1353/not.0.0108
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ARTstor (review)

Eunice Schroeder
pp. 546-549
DOI: https://doi.org/10.1353/not.0.0122
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American Music Center, and: Counterstream Radio, and: Newmusicbox (review)

Joan O'Connor
pp. 549-551
DOI: https://doi.org/10.1353/not.0.0115
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The Full Monteverdi (review)

Alicia Doyle
pp. 552-553
DOI: https://doi.org/10.1353/not.0.0119
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Maskarade, and: La cambiale di matrimonio, and: La pietra del paragone (review)

John Holland
pp. 553-554
DOI: https://doi.org/10.1353/not.0.0147
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Tchaikovsky (review)

Michael Adams
pp. 554-555
DOI: https://doi.org/10.1353/not.0.0136
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Doktor Faust (review)

Travis D. Stimeling
pp. 555-556
DOI: https://doi.org/10.1353/not.0.0131
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Jean Sibelius, 1865-1957, and: Itzhak Perlman: Virtuoso Violinist (review)

Michael Adams
pp. 556-557
DOI: https://doi.org/10.1353/not.0.0129
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Stravinsky: Once at a Border (review)

Joan O'Connor
pp. 557-559
DOI: https://doi.org/10.1353/not.0.0117
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Pierre Henry—The Art of Sounds, and: Olivier Messiaen—La liturgie de cristal (review)

S. Andrew Granade
pp. 559-561
DOI: https://doi.org/10.1353/not.0.0133
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King Priam (review)

Rob Haskins
pp. 561-562
DOI: https://doi.org/10.1353/not.0.0140
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Blue Note: A Story of Modern Jazz, and: Play Your Own Thing: A Story of Jazz in Europe (review)

Larry Appelbaum
pp. 563-564
DOI: https://doi.org/10.1353/not.0.0142
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Joe Zawinul: A Musical Portrait (review)

Michael Ashenfelder
pp. 564-565
DOI: https://doi.org/10.1353/not.0.0149
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Bill Monroe: The Father of Bluegrass Music (review)

Randall Zwally
pp. 565-566
DOI: https://doi.org/10.1353/not.0.0112
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The "Reichsorchester": The Berlin Philharmonic and the Third Reich (review)

Steve York
pp. 566-567
DOI: https://doi.org/10.1353/not.0.0144
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Notes interdites: scènes de la vie musicale en Russie soviétique (review)

Joan O'Connor
pp. 567-570
DOI: https://doi.org/10.1353/not.0.0110
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Transcriptions (review)

Steve York
p. 570
DOI: https://doi.org/10.1353/not.0.0138
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Gran Fanfare (review)

Jim Farrington
p. 571
DOI: https://doi.org/10.1353/not.0.0126
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Howard Goodall's Big Bangs (review)

Travis D. Stimeling
pp. 571-572
DOI: https://doi.org/10.1353/not.0.0124
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Monophonic Tropes and Conductus of W1: The Tenth Fascicle (review)

Thomas B. Payne
pp. 573-575
DOI: https://doi.org/10.1353/not.0.0121
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Sinfonietta pro maly´ orchestr = for chamber orchestra (review)

Byron Adams
pp. 575-577
DOI: https://doi.org/10.1353/not.0.0107
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Weimarer Orgeltabulatur: Die frühesten Notenhandschriften Johann Sebastian Bachs sowie Abschriften seines Schülers Johann Martin Schubart. Mit Werken von Dietrich Buxtehude, Johann Adam Reinken und Johann Pachelbel, and: Deutsche Orgel- und Claviermusik der Bach-Zeit: Werke in Erstausgaben = German Organ and Keyboard Music from Bach's Period: Collection of First Editions, and: 3ème symphonie, op. 28 (1911), and: Die grossen Partiten = The Large-scale Partitas (review)

Peter Ward Jones
pp. 577-581
DOI: https://doi.org/10.1353/not.0.0114
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Music Publishers' Catalogs

George R. Hill
pp. 589-593
DOI: https://doi.org/10.1353/not.0.0135
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Copyright and Historical Sound Recordings: Recent Efforts to Change U.S. Law

Tim Brooks
pp. 464-474
DOI: https://doi.org/10.1353/not.0.0109
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Music Received

David Knapp
pp. 582-588
DOI: https://doi.org/10.1353/not.0.0128
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