In this Issue

Table of Contents

“A theatrical race”: American Identity and Popular Performance in the Writings of Constance M. Rourke

Jennifer Schlueter
pp. 529-543
DOI: https://doi.org/10.1353/tj.0.0090
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The Judicial and the Melodramatic Stage: Trial Scenes in Boucicault’s Arrah-na-Pogue and The Octoroon

Stephanie J. Pocock
pp. 545-561
DOI: https://doi.org/10.1353/tj.0.0097
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Field Tripping: The Power of Inherit the Wind

Gad Guterman
pp. 563-583
DOI: https://doi.org/10.1353/tj.0.0104
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Patriotic Acts of Consumption: Lucile (Lady Duff Gordon) and the Vaudeville Fashion Show Craze

Marlis Schweitzer
pp. 585-608
DOI: https://doi.org/10.1353/tj.0.0111
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Political Animals: Engagements with Imperial and Gender Discourses in Late-Colonial Australian Circuses

Gillian Arrighi
pp. 609-629
DOI: https://doi.org/10.1353/tj.0.0117
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The Pinch Brothers (Also Sisters) In: "The Bawdy House" (review)

Laura R. Dougherty
pp. 631-633
DOI: https://doi.org/10.1353/tj.0.0080
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Blue Man Group: How to Be a Megastar Tour 2.1, and: Blue Man Group: Orlando (review)

Stephen Harrick
pp. 634-635
DOI: https://doi.org/10.1353/tj.0.0087
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Passing Strange (review)

Elizabeth L. Wollman
pp. 635-637
DOI: https://doi.org/10.1353/tj.0.0101
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Sunday in the Park with George (review)

Brett D. Johnson
pp. 638-639
DOI: https://doi.org/10.1353/tj.0.0108
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Die Dreigroschenoper (The Threepenny Opera), and: The Masque of the Red Death (review)

Ralf Remshardt
pp. 639-643
DOI: https://doi.org/10.1353/tj.0.0115
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Adding Machine, a Musical (review)

Carol A. Fischer
pp. 643-646
DOI: https://doi.org/10.1353/tj.0.0121
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Trifles, and: The Outside, and: Suppressed Desires, and: Chains of Dew (review)

Cheryl Black
pp. 646-649
DOI: https://doi.org/10.1353/tj.0.0085
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Time is the Mercy of Eternity (review)

Jill Dolan
pp. 649-650
DOI: https://doi.org/10.1353/tj.0.0092
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Theatertreffen Festival (review)

John Rouse
pp. 650-654
DOI: https://doi.org/10.1353/tj.0.0099
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(Un)Patriotic Acts of an Imagined Community: The Klein Karoo Nasionale Kunstefees (KKNK) (review)

Megan Lewis
pp. 654-659
DOI: https://doi.org/10.1353/tj.0.0106
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Sizwe Banzi is Dead (review)

Daniel Larlham
pp. 659-661
DOI: https://doi.org/10.1353/tj.0.0113
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Dawn’s Light: The Journey of Gordon Hirabayashi (review)

Emily Roxworthy
pp. 661-664
DOI: https://doi.org/10.1353/tj.0.0119
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Macbeth (review)

Jonathan Ivy Kidd
pp. 664-665
DOI: https://doi.org/10.1353/tj.0.0082
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The Lastmaker (review)

Rachel Anderson
pp. 665-667
DOI: https://doi.org/10.1353/tj.0.0089
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Hey Girl! (review)

Jim Williams
pp. 667-668
DOI: https://doi.org/10.1353/tj.0.0096
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The Cenci (review)

Joseph P. Cermatori
pp. 668-670
DOI: https://doi.org/10.1353/tj.0.0103
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Fishtank (review)

Mark Seamon
pp. 670-672
DOI: https://doi.org/10.1353/tj.0.0110
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Who Do You Think You Are (review)

Bonnie J. Eckard
pp. 672-674
DOI: https://doi.org/10.1353/tj.0.0116
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British Pantomime Performance (review)

Peter Holland
pp. 675-676
DOI: https://doi.org/10.1353/tj.0.0122
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Performing Dark Arts: A Cultural History of Conjuring (review)

Matthew Solomon
pp. 676-677
DOI: https://doi.org/10.1353/tj.0.0086
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Living History Museums: Undoing History Through Performance (review)

Bryoni Trezise
pp. 677-678
DOI: https://doi.org/10.1353/tj.0.0093
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Visual Delights Two: Exhibition and Reception (review)

Beth A. Kattelman
pp. 679-680
DOI: https://doi.org/10.1353/tj.0.0100
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Shakespeare and the American Popular Stage (review)

Alexander C. Y. Huang
pp. 680-681
DOI: https://doi.org/10.1353/tj.0.0107
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Shakespeare Films in the Making: Vision, Production and Reception (review)

Anna Kamaralli
pp. 681-682
DOI: https://doi.org/10.1353/tj.0.0114
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American Drama in the Age of Film (review)

James M. Cherry
pp. 682-683
DOI: https://doi.org/10.1353/tj.0.0120
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Forgetting Lot’s Wife: On Destructive Spectatorship, and: The Citizen Audience: Crowds, Publics, and Individuals (review)

Macelle Mahala
pp. 683-685
DOI: https://doi.org/10.1353/tj.0.0084
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New Deal Theater: The Vernacular Tradition in American Political Theater (review)

Jonathan Chambers
pp. 685-686
DOI: https://doi.org/10.1353/tj.0.0091
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Robert E. Sherwood: The Playwright in Peace and War (review)

Michael A. Cramer
pp. 687-688
DOI: https://doi.org/10.1353/tj.0.0098
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The Cambridge Companion to Brecht (review)

John McCaslin-Doyle
pp. 688-689
DOI: https://doi.org/10.1353/tj.0.0105
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An Actor’s Work: A Student’s Diary (review)

Seth Baumrin
pp. 689-690
DOI: https://doi.org/10.1353/tj.0.0112
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The Actor, Image, and Action: Acting and Cognitive Neuroscience (review)

Cheryl Kennedy McFarren
pp. 690-691
DOI: https://doi.org/10.1353/tj.0.0118
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Multi-Media: Video—Installation—Performance (review)

Jon Foley Sherman
pp. 692-693
DOI: https://doi.org/10.1353/tj.0.0081
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Contemporary African American Women Playwrights: A Casebook (review)

Jocelyn L. Buckner
pp. 693-694
DOI: https://doi.org/10.1353/tj.0.0088
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New Women Dramatists in America, 1890–1920 (review)

Felicia Hardison Londré
pp. 694-695
DOI: https://doi.org/10.1353/tj.0.0095
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Theater of a City: The Places of London Comedy, 1598–1642 (review)

Anthony Hostetter
pp. 695-696
DOI: https://doi.org/10.1353/tj.0.0102
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Index to Volume 60

pp. 701-708
DOI: https://doi.org/10.1353/tj.0.0109
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Editorial Comment: Popular Culture and Theatre History

David Z. Saltz
pp. x-xii
DOI: https://doi.org/10.1353/tj.0.0083
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