1. “A theatrical race”: American Identity and Popular Performance in the Writings of Constance M. Rourke
  2. Jennifer Schlueter
  3. pp. 529-543
  4. DOI: 10.1353/tj.0.0090
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  1. The Judicial and the Melodramatic Stage: Trial Scenes in Boucicault’s Arrah-na-Pogue and The Octoroon
  2. Stephanie J. Pocock
  3. pp. 545-561
  4. DOI: 10.1353/tj.0.0097
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  1. Field Tripping: The Power of Inherit the Wind
  2. Gad Guterman
  3. pp. 563-583
  4. DOI: 10.1353/tj.0.0104
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  1. Patriotic Acts of Consumption: Lucile (Lady Duff Gordon) and the Vaudeville Fashion Show Craze
  2. Marlis Schweitzer
  3. pp. 585-608
  4. DOI: 10.1353/tj.0.0111
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  1. Political Animals: Engagements with Imperial and Gender Discourses in Late-Colonial Australian Circuses
  2. Gillian Arrighi
  3. pp. 609-629
  4. DOI: 10.1353/tj.0.0117
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  1. The Pinch Brothers (Also Sisters) In: "The Bawdy House" (review)
  2. Laura R. Dougherty
  3. pp. 631-633
  4. DOI: 10.1353/tj.0.0080
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  1. Blue Man Group: How to Be a Megastar Tour 2.1, and: Blue Man Group: Orlando (review)
  2. Stephen Harrick
  3. pp. 634-635
  4. DOI: 10.1353/tj.0.0087
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  1. Passing Strange (review)
  2. Elizabeth L. Wollman
  3. pp. 635-637
  4. DOI: 10.1353/tj.0.0101
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  1. Sunday in the Park with George (review)
  2. Brett D. Johnson
  3. pp. 638-639
  4. DOI: 10.1353/tj.0.0108
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  1. Die Dreigroschenoper (The Threepenny Opera), and: The Masque of the Red Death (review)
  2. Ralf Remshardt
  3. pp. 639-643
  4. DOI: 10.1353/tj.0.0115
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  1. Adding Machine, a Musical (review)
  2. Carol A. Fischer
  3. pp. 643-646
  4. DOI: 10.1353/tj.0.0121
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  1. Trifles, and: The Outside, and: Suppressed Desires, and: Chains of Dew (review)
  2. Cheryl Black
  3. pp. 646-649
  4. DOI: 10.1353/tj.0.0085
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  1. Time is the Mercy of Eternity (review)
  2. Jill Dolan
  3. pp. 649-650
  4. DOI: 10.1353/tj.0.0092
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  1. Theatertreffen Festival (review)
  2. John Rouse
  3. pp. 650-654
  4. DOI: 10.1353/tj.0.0099
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  1. (Un)Patriotic Acts of an Imagined Community: The Klein Karoo Nasionale Kunstefees (KKNK) (review)
  2. Megan Lewis
  3. pp. 654-659
  4. DOI: 10.1353/tj.0.0106
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  1. Sizwe Banzi is Dead (review)
  2. Daniel Larlham
  3. pp. 659-661
  4. DOI: 10.1353/tj.0.0113
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  1. Dawn’s Light: The Journey of Gordon Hirabayashi (review)
  2. Emily Roxworthy
  3. pp. 661-664
  4. DOI: 10.1353/tj.0.0119
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  1. Macbeth (review)
  2. Jonathan Ivy Kidd
  3. pp. 664-665
  4. DOI: 10.1353/tj.0.0082
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  1. The Lastmaker (review)
  2. Rachel Anderson
  3. pp. 665-667
  4. DOI: 10.1353/tj.0.0089
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  1. Hey Girl! (review)
  2. Jim Williams
  3. pp. 667-668
  4. DOI: 10.1353/tj.0.0096
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  1. The Cenci (review)
  2. Joseph P. Cermatori
  3. pp. 668-670
  4. DOI: 10.1353/tj.0.0103
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  1. Fishtank (review)
  2. Mark Seamon
  3. pp. 670-672
  4. DOI: 10.1353/tj.0.0110
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  1. Who Do You Think You Are (review)
  2. Bonnie J. Eckard
  3. pp. 672-674
  4. DOI: 10.1353/tj.0.0116
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  1. British Pantomime Performance (review)
  2. Peter Holland
  3. pp. 675-676
  4. DOI: 10.1353/tj.0.0122
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  1. Performing Dark Arts: A Cultural History of Conjuring (review)
  2. Matthew Solomon
  3. pp. 676-677
  4. DOI: 10.1353/tj.0.0086
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  1. Living History Museums: Undoing History Through Performance (review)
  2. Bryoni Trezise
  3. pp. 677-678
  4. DOI: 10.1353/tj.0.0093
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  1. Visual Delights Two: Exhibition and Reception (review)
  2. Beth A. Kattelman
  3. pp. 679-680
  4. DOI: 10.1353/tj.0.0100
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  1. Shakespeare and the American Popular Stage (review)
  2. Alexander C. Y. Huang
  3. pp. 680-681
  4. DOI: 10.1353/tj.0.0107
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  1. Shakespeare Films in the Making: Vision, Production and Reception (review)
  2. Anna Kamaralli
  3. pp. 681-682
  4. DOI: 10.1353/tj.0.0114
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  1. American Drama in the Age of Film (review)
  2. James M. Cherry
  3. pp. 682-683
  4. DOI: 10.1353/tj.0.0120
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  1. Forgetting Lot’s Wife: On Destructive Spectatorship, and: The Citizen Audience: Crowds, Publics, and Individuals (review)
  2. Macelle Mahala
  3. pp. 683-685
  4. DOI: 10.1353/tj.0.0084
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  1. New Deal Theater: The Vernacular Tradition in American Political Theater (review)
  2. Jonathan Chambers
  3. pp. 685-686
  4. DOI: 10.1353/tj.0.0091
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  1. Robert E. Sherwood: The Playwright in Peace and War (review)
  2. Michael A. Cramer
  3. pp. 687-688
  4. DOI: 10.1353/tj.0.0098
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  1. The Cambridge Companion to Brecht (review)
  2. John McCaslin-Doyle
  3. pp. 688-689
  4. DOI: 10.1353/tj.0.0105
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  1. An Actor’s Work: A Student’s Diary (review)
  2. Seth Baumrin
  3. pp. 689-690
  4. DOI: 10.1353/tj.0.0112
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  1. The Actor, Image, and Action: Acting and Cognitive Neuroscience (review)
  2. Cheryl Kennedy McFarren
  3. pp. 690-691
  4. DOI: 10.1353/tj.0.0118
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  1. Multi-Media: Video—Installation—Performance (review)
  2. Jon Foley Sherman
  3. pp. 692-693
  4. DOI: 10.1353/tj.0.0081
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  1. Contemporary African American Women Playwrights: A Casebook (review)
  2. Jocelyn L. Buckner
  3. pp. 693-694
  4. DOI: 10.1353/tj.0.0088
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  1. New Women Dramatists in America, 1890–1920 (review)
  2. Felicia Hardison Londré
  3. pp. 694-695
  4. DOI: 10.1353/tj.0.0095
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  1. Theater of a City: The Places of London Comedy, 1598–1642 (review)
  2. Anthony Hostetter
  3. pp. 695-696
  4. DOI: 10.1353/tj.0.0102
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  1. Index to Volume 60
  3. pp. 701-708
  4. DOI: 10.1353/tj.0.0109
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  1. Editorial Comment: Popular Culture and Theatre History
  2. David Z. Saltz
  3. pp. x-xii
  4. DOI: 10.1353/tj.0.0083
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