1. Measure for Measure and the (Anti-)Theatricality of Gascoigne's The Glasse of Government
  2. Richard Hillman
  3. pp. 391-408
  4. DOI: 10.1353/cdr.0.0028
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  1. "Gentleness" and Social Class in The Merry Wives of Windsor
  2. Maurice Hunt
  3. pp. 409-432
  4. DOI: 10.1353/cdr.0.0031
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  1. Creating Entertainments for Prince Henry's Creation (1610)
  2. David M. Bergeron
  3. pp. 433-449
  4. DOI: 10.1353/cdr.0.0033
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  1. Being Mistress Eyre in Dekker's The Shoemaker's Holiday and Deloney's The Gentle Craft
  2. Ann C. Christensen
  3. pp. 451-480
  4. DOI: 10.1353/cdr.0.0035
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  1. "For want of Clelia": Re-placing the Maternal Body in The Twin-Rivals
  2. Elizabeth Savage
  3. pp. 481-504
  4. DOI: 10.1353/cdr.0.0037
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  1. Shakespeare and Renaissance Literature before Heterosexuality (review)
  2. Rachel Poulsen
  3. pp. 505-508
  4. DOI: 10.1353/cdr.0.0025
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  1. Eugene O'Neill's America: Desire Under Democracy (review)
  2. Lawrence Dugan
  3. pp. 508-511
  4. DOI: 10.1353/cdr.0.0027
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  1. Entertaining the Nation: American Drama in the Eighteenth and Nineteenth Centuries (review)
  2. Jeffrey H. Richards
  3. pp. 511-514
  4. DOI: 10.1353/cdr.0.0030
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  1. Molière: Reasoning with Fools (review)
  2. Virginia Scott
  3. pp. 514-516
  4. DOI: 10.1353/cdr.0.0032
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  1. Modern Mysteries: Contemporary Productions of Medieval English Cycle Dramas (review)
  2. Peter H. Greenfield
  3. pp. 517-519
  4. DOI: 10.1353/cdr.0.0034
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  1. Monologues: Theatre, Performance, Subjectivity (review)
  2. Mária Kurdi
  3. pp. 519-523
  4. DOI: 10.1353/cdr.0.0036
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  1. Theatre Censorship: From Walpole to Wilson (review)
  2. Jeffrey M. Richards
  3. pp. 523-525
  4. DOI: 10.1353/cdr.0.0038
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  1. Brief Notices
  2. pp. 527-529
  3. DOI: 10.1353/cdr.0.0026
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  1. Contributors
  2. pp. 531-532
  3. DOI: 10.1353/cdr.0.0029
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