1. Speaking the Unspeakable: Male Humiliation and Female National Allegory after Kinsale
  2. Sarah E. McKibben
  3. pp. 11-30
  4. DOI: 10.1353/eir.0.0025
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  1. Text and Textile in Sydney Owenson’s The Wild Irish Girl
  2. Julie Donovan
  3. pp. 31-57
  4. DOI: 10.1353/eir.0.0020
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  1. Ellen O’Leary: A Bold Fenian Poet
  2. Rose Novak
  3. pp. 58-84
  4. DOI: 10.1353/eir.0.0022
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  1. Funny Business: Popular Comedy and Entertainment Culture in Northern Ireland
  2. Lance Pettitt
  3. pp. 123-156
  4. DOI: 10.1353/eir.0.0021
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  1. “Evanescent Impressions”: Public Lectures and the Popularization of Science in Ireland, 1770–1860
  2. Enda Leaney
  3. pp. 157-182
  4. DOI: 10.1353/eir.0.0019
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  1. Cartography and Utilitarianism versus Culture: Thomas Colby of the Ordnance Survey of Ireland
  2. Patrick McWilliams
  3. pp. 183-216
  4. DOI: 10.1353/eir.0.0014
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  1. “How to Smash the British Empire”: John Forrest Kelly’s Irish World and the Boycott of 1920–21
  2. Michael E. Chapman
  3. pp. 217-252
  4. DOI: 10.1353/eir.0.0023
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  1. Fine Gael’s Uncomfortable History: The Legacy of Cumann na nGaedheal
  2. Ciara Meehan
  3. pp. 253-266
  4. DOI: 10.1353/eir.0.0024
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  1. “Repaying a Debt of Gratitude”: Foreign Minority Nationalists and the Fiftieth Anniversary of the Easter Rising in 1966
  2. Daniel Leach
  3. pp. 267-289
  4. DOI: 10.1353/eir.0.0013
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  1. Editors’ Introduction
  2. pp. 5-10
  3. DOI: 10.1353/eir.0.0027
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  1. Cover Note: Alice Maher’s Cell: An Archaeology of the Prison Image
  2. Casey A. Jarrin
  3. pp. 118-122
  4. DOI: 10.1353/eir.0.0026
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  1. Contributors
  2. pp. 290-292
  3. DOI: 10.1353/eir.0.0017
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