1. Strindberg as Vivisector: Physiology, Pathology, and Anti-Mimesis in The Father and Miss Julie
  2. Amy Strahler Holzapfel
  3. pp. 329-352
  4. DOI: 10.1353/mdr.0.0063
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  1. Choleric Fictions: Epidemiology, Medical Authority, and An Enemy of the People
  2. Timothy Carlo Matos
  3. pp. 353-368
  4. DOI: 10.1353/mdr.0.0065
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  1. Coercive Somatographies: X-rays, Hypnosis, and Stanislavsky's Production Plan for The Seagull
  2. Shawn Kairschner
  3. pp. 369-388
  4. DOI: 10.1353/mdr.0.0053
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  1. The Some of the Parts: Prosthesis and Function in Bertolt Brecht, Oskar Schlemmer, and Kurt Jooss
  2. Kate Elswit
  3. pp. 389-410
  4. DOI: 10.1353/mdr.0.0055
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  1. Understanding Beth Henley (review)
  2. Gene A. Plunka
  3. pp. 411-413
  4. DOI: 10.1353/mdr.0.0057
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  1. The Senses in Performance (review)
  2. Daniel Meyer-Dinkgräfe
  3. pp. 413-415
  4. DOI: 10.1353/mdr.0.0059
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  1. Brian Friel, Ireland, and the North (review)
  2. Craig N. Owens
  3. pp. 415-417
  4. DOI: 10.1353/mdr.0.0062
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  1. Cool Britannia? British Political Drama in the 1990s (review)
  2. David Walker
  3. pp. 417-420
  4. DOI: 10.1353/mdr.0.0064
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  1. Radical Nostalgia: Spanish Civil War Commemoration in America (review)
  2. E.J. Westlake
  3. pp. 420-422
  4. DOI: 10.1353/mdr.0.0052
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  1. Re:Producing Women's Dramatic History: The Politics of Playing in Toronto (review)
  2. Kym Bird
  3. pp. 422-424
  4. DOI: 10.1353/mdr.0.0054
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  1. Performance and Cognition: Theatre Studies and the Cognitive Turn (review)
  2. Yanna Popova
  3. pp. 424-426
  4. DOI: 10.1353/mdr.0.0056
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  1. The Wooster Group Work Book (review)
  2. Jennifer Parker-Starbuck
  3. pp. 427-429
  4. DOI: 10.1353/mdr.0.0058
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  1. Introduction: Is There a Doctor in the House? Medicine and the Making of Modern Drama
  2. Stanton B. Garner Jr.
  3. pp. 311-328
  4. DOI: 10.1353/mdr.0.0060
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  1. Contributors
  2. pp. 430-431
  3. DOI: 10.1353/mdr.0.0061
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