1. "The Protestant Thing to Do": Anglo-Irish Performance in James Joyce's Dubliners and Samuel Beckett's All That Fall
  2. Emily C. Bloom
  3. pp. 1-16
  4. DOI: 10.1353/tsl.0.0020
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  1. Hesitancy in Joyce's and Beckett's Manuscripts
  2. Dirk Van Hulle
  3. pp. 17-27
  4. DOI: 10.1353/tsl.0.0022
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  1. From Hardware to Software, or "Rocks, Cocks, Creation, Defecation, and Death": Reading Joyce and Beckett in the Fourth Dimension
  2. Rodney Sharkey
  3. pp. 28-40
  4. DOI: 10.1353/tsl.0.0016
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  1. Samuel Beckett Meets Buster Keaton: Godeau, Film, and New York
  2. Alan W. Friedman
  3. pp. 41-46
  4. DOI: 10.1353/tsl.0.0023
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  1. "White World. Not a Sound": Beckett's Radioactive Text in Embers
  2. James Jesson
  3. pp. 47-65
  4. DOI: 10.1353/tsl.0.0014
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  1. "Thought of everything? . . . Forgotten nothing?": (Re-)Editing Beckett's Eh Joe
  2. Justin Tremel
  3. pp. 66-75
  4. DOI: 10.1353/tsl.0.0021
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  1. "Someone is looking at me still": The Audience-Creature Relationship in the Theater Plays of Samuel Beckett
  2. Matthew Davies
  3. pp. 76-93
  4. DOI: 10.1353/tsl.0.0015
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  1. The Posthumous Worlds of Not I and Play
  2. Brian Gatten
  3. pp. 94-101
  4. DOI: 10.1353/tsl.0.0018
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  1. Giving Sam a Second Life: Beckett's Plays in the Age of Convergent Media
  2. Sean McCarthy
  3. pp. 102-117
  4. DOI: 10.1353/tsl.0.0017
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  1. Samuel Beckett in Austin and Beyond
  2. Alan W. Friedman, Charles Rossman
  3. pp. iv-vii
  4. DOI: 10.1353/tsl.0.0019
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