In this Issue

Table of Contents

Bette Davis made over in wartime: The feminisation of an androgynous star in Now, Voyager (1942)

Martin Shingler
pp. 269-280
DOI: https://doi.org/10.2979/fil.2008.20.3.269
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The novelist as Hollywood star: Author royalties and studio income in the 1920s

Vincent L. Barnett
pp. 281-293
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Albany Ward and the development of cinema exhibition in England

Patricia Cook
pp. 294-307
DOI: https://doi.org/10.2979/fil.2008.20.3.294
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The ‘Reol’ Story: Race Authorship and Consciousness in Robert Levy’s Reol Productions, 1921–1926

Christina Petersen
pp. 308-324
DOI: https://doi.org/10.2979/fil.2008.20.3.308
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The war of the accents: Spanish language Hollywood films in Mexican Los Angeles

Colin Gunckel
pp. 325-343
DOI: https://doi.org/10.2979/fil.2008.20.3.325
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Motion pictures’ greatest year (1938): public relations and the American film industry

Catherine Jurca
pp. 344-356
DOI: https://doi.org/10.2979/fil.2008.20.3.344
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Lawyers, Bibliographies, and the Klan: Griffith’s resources in the censorship battle over The Birth of a Nation in Ohio

Paul McEwan
pp. 357-366
DOI: https://doi.org/10.2979/fil.2008.20.3.357
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Protecting Protestantism: The Ku Klux Klan vs. The Motion Picture Industry

Tom Rice
pp. 367-380
DOI: https://doi.org/10.2979/fil.2008.20.3.367
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Violent youth: The censoring and public reception of The Wild One and The Blackboard Jungle

Jerold Simmons
pp. 381-391
DOI: https://doi.org/10.2979/fil.2008.20.3.381
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Introduction: Studio Systems

Richard Koszarski
pp. 267-268
DOI: https://doi.org/10.2979/fil.2008.20.3.267
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