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Table of Contents

  1. High/Low in an Expanded Field
  2. Andreas Huyssen
  3. pp. 363-374
  4. DOI: https://doi.org/10.1353/mod.2002.0052
  5. restricted access
  1. "See that Straw? That's a Straw": Anti-Semitism and Narrative Form in Ulysses
  2. Neil Levi
  3. pp. 375-388
  4. DOI: https://doi.org/10.1353/mod.2002.0056
  5. restricted access
  1. Propounding Modernist Maleness: How Pound Managed a Muse
  2. Rachel Blau DuPlessis
  3. pp. 389-405
  4. DOI: https://doi.org/10.1353/mod.2002.0045
  5. restricted access
  1. H.D.'s Distractions: Cinematic Stasis and Lesbian Desire
  2. Jean Gallagher
  3. pp. 407-422
  4. DOI: https://doi.org/10.1353/mod.2002.0048
  5. restricted access
  1. The Great War at Home and Abroad: Violence and Sexuality in Eliot's "Sweeney Erect"
  2. Jewel Spears Brooker
  3. pp. 423-438
  4. DOI: https://doi.org/10.1353/mod.2002.0042
  5. restricted access
  1. A Virile Poet in the Borderlands: Wallace Stevens's Reimagining of Race and Masculinity
  2. Eric Keenaghan
  3. pp. 439-462
  4. DOI: https://doi.org/10.1353/mod.2002.0054
  5. restricted access
  1. Modernist Polemic: Ezra Pound v. "the perverters of language"
  2. Matthew Hofer
  3. pp. 463-489
  4. DOI: https://doi.org/10.1353/mod.2002.0049
  5. restricted access
  1. Suptionpremises
  2. Jane Marcus
  3. pp. 491-502
  4. DOI: https://doi.org/10.1353/mod.2002.0058
  5. restricted access
  1. Thinking about the Yellow House
  2. David Hoyt
  3. pp. 503-506
  4. DOI: https://doi.org/10.1353/mod.2002.0051
  5. restricted access
  1. Revolutionary Memory: Recovering the Poetry of the American Left (review)
  2. Alan Filreis
  3. pp. 507-509
  4. DOI: https://doi.org/10.1353/mod.2002.0047
  5. restricted access
  1. H.D. and the Public Sphere of Modernist Women Writers, 1913-1946 (review)
  2. Kathleen Crown
  3. pp. 510-512
  4. DOI: https://doi.org/10.1353/mod.2002.0043
  5. restricted access
  1. The Novel Art: Elevations of American Fiction after Henry James (review)
  2. Heather O'Donnell
  3. pp. 512-514
  4. DOI: https://doi.org/10.1353/mod.2002.0060
  5. restricted access
  1. American Women Writers and the Nazis: Ethics and Politics in Boyle, Porter, Stafford, and Hellman (review)
  2. Charles Ferrall
  3. pp. 514-515
  4. DOI: https://doi.org/10.1353/mod.2002.0046
  5. restricted access
  1. The Literature of the Great War Reconsidered: Beyond Modern Memory (review)
  2. Genevieve Brassard
  3. pp. 516-517
  4. DOI: https://doi.org/10.1353/mod.2002.0041
  5. restricted access
  1. The Language of War: Literature and Culture in the U.S. from the Civil War through World War II (review)
  2. Margot Norris
  3. pp. 518-519
  4. DOI: https://doi.org/10.1353/mod.2002.0059
  5. restricted access
  1. Eyewitnessing: The Uses of Images as Historical Evidence (review)
  2. David Kaufmann
  3. pp. 520-521
  4. DOI: https://doi.org/10.1353/mod.2002.0053
  5. restricted access
  1. Noble Dreams, Wicked Pleasures: Orientalism in America, 1870-1930 (review)
  2. Michael Davidson
  3. pp. 522-523
  4. DOI: https://doi.org/10.1353/mod.2002.0044
  5. restricted access
  1. Living Up to the Ads: Gender Fictions of the 1920s (review)
  2. Janet Ward
  3. p. 524
  4. DOI: https://doi.org/10.1353/mod.2002.0061
  5. restricted access
  1. Antimodernism and Artistic Experience: Policing the Boundaries of Modernity (review)
  2. David Brian Howard
  3. pp. 525-526
  4. DOI: https://doi.org/10.1353/mod.2002.0050
  5. restricted access
  1. Ethics and Aesthetics in European Modernist Literature: From the Sublime to the Uncanny (review)
  2. Jil Larson
  3. pp. 526-528
  4. DOI: https://doi.org/10.1353/mod.2002.0055
  5. restricted access
  1. Joyce, Dante, and the Poetics of Literary Relations: Language and Meaning in Finnegans Wake (review)
  2. Ernesto Livorni
  3. pp. 528-529
  4. DOI: https://doi.org/10.1353/mod.2002.0057
  5. restricted access
  1. Recent Books of Interest
  3. pp. 531-533
  4. DOI: https://doi.org/10.1353/mod.2002.0040
  5. restricted access